Pedals that stack with the Sonicake Factory Acoustic Preamp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Behringer Chorus Symphony's analog warmth voice goes after Sonicake Factory Acoustic Preamp in the signal chain — it's not there to compete with Sonicake Factory Acoustic Preamp's own bright character

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Ashdown Velvet Compressor's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Greer Mizuki blue after it and the bright edge settles into something more warm

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Catalinbread SFT's warm balances out the bright tone

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep T-Rex Junior Roomate after Sonicake Factory Acoustic Preamp in the signal chain, clear of Sonicake Factory Acoustic Preamp's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Sonicake Factory Acoustic Preamp in the signal chain, clear of Sonicake Factory Acoustic Preamp's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain