Pedals that stack with the Source Audio Nemesis

The Nemesis' studio-grade digital delay doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal a platform to echo through.

Comes earlier in the signal chain

The RAT's dark, cutting distortion gives the Nemesis's own digital delay platform a real gain stage to sit behind rather than more repeats.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Source Audio Nemesis after JHS Pedals JHS Coyote in the signal chain, clear of JHS Pedals JHS Coyote's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Source Audio Nemesis after MXR M193 GT-OD Overdrive in the signal chain, clear of MXR M193 GT-OD Overdrive's own gain stage

Comes earlier in the signal chain

Nemesis's platform-style digital delay feeds the Rotosphere's Leslie swirl, stacking two kinds of motion rather than any added gain.

Comes earlier in the signal chain

Put Electro-Harmonix Small Stone after Source Audio Nemesis in the signal chain, where it won't crowd Source Audio Nemesis

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Source Audio Nemesis's pristine voice goes after Ibanez TS9 Tube Screamer in the signal chain — it's not there to compete with Ibanez TS9 Tube Screamer's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Source Audio Nemesis after Keeley Neutrino V2 in the signal chain, where it won't crowd Keeley Neutrino V2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Nemesis after Cusack Music Screamer in the signal chain, clear of Cusack Music Screamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Source Audio Nemesis after Electro-Harmonix Nano Q-Tron in the signal chain, where it won't crowd Electro-Harmonix Nano Q-Tron

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Source Audio Nemesis after Vertex Effects Trainwreck in the signal chain, clear of Vertex Effects Trainwreck's own gain stage

Comes earlier in the signal chain

Run Source Audio Nemesis after Ibanez FP-777 Flying Pan Reissue in the signal chain, where it won't crowd Ibanez FP-777 Flying Pan Reissue

Comes earlier in the signal chain

Put Source Audio Nemesis after Carl Martin Chorus XII in the signal chain, where it won't crowd Carl Martin Chorus XII

Comes earlier in the signal chain

Run Source Audio Nemesis after T-Rex BetaVibe Chorus/Leslie in the signal chain, where it won't crowd T-Rex BetaVibe Chorus/Leslie

Comes earlier in the signal chain

Source Audio Nemesis's pristine voice goes after JHS Pedals JHS Tidewater Mini in the signal chain — it's not there to compete with JHS Pedals JHS Tidewater Mini's own harmonically rich character

Comes earlier in the signal chain

Keep Fender Lost Highway Phaser's analog warmth voice out front: Source Audio Nemesis goes after Fender Lost Highway Phaser in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

Put Source Audio Nemesis after Baroni Labs Baroni Lab Miss Flanger in the signal chain, where it won't crowd Baroni Labs Baroni Lab Miss Flanger

Comes earlier in the signal chain

Source Audio Nemesis's pristine voice goes after Walrus Audio Fundamental Series Tremolo in the signal chain — it's not there to compete with Walrus Audio Fundamental Series Tremolo's own pristine character

Comes earlier in the signal chain

Keep Universal Audio Uafx Brigade Chorus's modulated voice out front: Source Audio Nemesis goes after Universal Audio Uafx Brigade Chorus in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

Keep Source Audio Nemesis after Subdecay Starlight Flanger MKIII in the signal chain, where it won't crowd Subdecay Starlight Flanger MKIII

Comes earlier in the signal chain

Keep Demon FX Sibling Analog OTA Phaser Just's smooth voice out front: Source Audio Nemesis goes after Demon FX Sibling Analog OTA Phaser Just in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain

Keep Source Audio Nemesis after Rainger FX Effects Binary Pulsar in the signal chain, where it won't crowd Rainger FX Effects Binary Pulsar

Comes earlier in the signal chain

Keep Source Audio Nemesis after Supacoil FX Badalamenti Tremolo in the signal chain, where it won't crowd Supacoil FX Badalamenti Tremolo

Comes earlier in the signal chain

Put Source Audio Nemesis after NuX Masamune Booster & Kompressor in the signal chain, where it won't crowd NuX Masamune Booster & Kompressor

Comes earlier in the signal chain