Pedals that stack with the Strymon Deco 2FSR
← everything about the Strymon Deco 2FSR
All 11 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Walrus Audio EB-10 Black Edition
Walrus Audio
23% matchWalrus Audio EB-10 Black Edition leans toward clean boost, and that's a real, usable character to pair with
Comes earlier in the signal chain
Beetronics Buzzter Boost Preamp
Beetronics
21% matchBeetronics Buzzter Boost Preamp's own transparent character is the real reason this is worth trying
Comes earlier in the signal chain
Palmer Pepamp Mk II
Palmer
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Strymon Deco 2FSR after Palmer Pepamp Mk II in the signal chain, clear of Palmer Pepamp Mk II's own gain stage
Comes later in the signal chain
Catalinbread SuperCharged Overdrive
Catalinbread
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Strymon Deco 2FSR after Catalinbread SuperCharged Overdrive in the signal chain, clear of Catalinbread SuperCharged Overdrive's own gain stage
Comes earlier in the signal chain
Maxon VOP-9 Vintage OD PRO
Maxon
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon Deco 2FSR after Maxon VOP-9 Vintage OD PRO in the signal chain, clear of Maxon VOP-9 Vintage OD PRO's own gain stage
Comes earlier in the signal chain
Crazy Tube Circuits White Whale V2
Crazy Tube Circuits
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon Deco 2FSR after Crazy Tube Circuits White Whale V2 in the signal chain, where it won't crowd Crazy Tube Circuits White Whale V2 — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Carl Martin Headroom Mini
Carl Martin
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon Deco 2FSR after Carl Martin Headroom Mini in the signal chain, where it won't crowd Carl Martin Headroom Mini — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
JAM Pedals Llama Xtreme
Jam Pedals
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Strymon Deco 2FSR after JAM Pedals Llama Xtreme in the signal chain, where it won't crowd JAM Pedals Llama Xtreme — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Cusack Music More Louder
Cusack Music
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon Deco 2FSR after Cusack Music More Louder in the signal chain, clear of Cusack Music More Louder's own gain stage
Comes earlier in the signal chain
Catalinbread Epoch-Set
Catalinbread
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Catalinbread Epoch-Set after Strymon Deco 2FSR in the signal chain, where it won't crowd Strymon Deco 2FSR — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Boss DD-3 Digital Delay
Boss
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Boss DD-3 Digital Delay after Strymon Deco 2FSR in the signal chain, where it won't crowd Strymon Deco 2FSR — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain