Strymon OB.1 Bass

Laney RB3 Richter Bass Amp

Laney RB3 Richter Bass Amp's mid-forward fills in what this transparent tone doesn't make on its own

Synergy SL2 Module

The transparent tone has headroom to spare — Synergy SL2 Module gives it high gain to fill it with

Friedman BE-Mini Head

Into a transparent tone, Friedman BE-Mini Head brings the high gain it's missing

Egnater Tweaker 88 Head

Egnater Tweaker 88 Head's low gain fills in what this transparent tone doesn't make on its own

Ceriatone 2202H

The transparent tone has headroom to spare — Ceriatone 2202H gives it high gain to fill it with

Friedman Jose LTD

Into a transparent tone, Friedman Jose LTD brings the high gain it's missing

Hughes & Kettner Warp 7

The transparent tone has headroom to spare — Hughes & Kettner Warp 7 gives it high gain to fill it with

Bad Cat Lynx 50

Into a transparent tone, Bad Cat Lynx 50 brings the high gain it's missing

Dr. Scientist Frazz Dazzler

Run the OB.1's transparent optical compression ahead of the Frazz Dazzler so its low-gain fuzz tracks a smooth, already-controlled bass signal.

ZVEX Fuzz Factory

The Fuzz Factory's gated, glitchy behavior gets unpredictable on a loose signal — the OB.1 evens things out before it hits the gain stage.

Fulltone OCD Obsessive Compulsive Drive

Run the OB.1 Bass before the OCD to keep the low end controlled going into that overtone-rich clipping.

Fjord Fuzz Berserk

Run the OB.1 Bass before the Berserk to keep low end controlled going into that extreme, doom-heavy fuzz.

Fjord Fuzz Odin

The OB.1's optical compression keeps the Odin's heavy fuzz consistent, since a doom-voiced circuit like this can get unruly left on its own.

Fulltone OF-2 Octafuzz

Run the OB.1 Bass before the Octafuzz to keep the low end controlled going into that ringing octave fuzz.

JHS Smiley

Into a transparent tone, JHS Smiley brings the fuzzy it's missing

Beetronics Swarm

Run the OB.1 first and it evens out pick attack before the Swarm's fuzz reacts to it, keeping the harmonics consistent.