Subdecay Liquid Sunshine MKIII

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Comes later in the signal chain

Synergy SL2 Module leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

ENGL E610II Savage 120 MkII Head leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Ceriatone 2202H leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Egnater Tweaker 88 Head brings a pull toward low gain that's missing

Comes later in the signal chain

Engl 120 E610 MK II leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1 leans this transparent tone toward mid-forward, which it doesn't make on its own

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Subdecay Liquid Sunshine MKIII in the signal chain, clear of Subdecay Liquid Sunshine MKIII's own gain stage

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Xotic SP Compressor's own smooth character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Subdecay Liquid Sunshine MKIII in the signal chain, clear of Subdecay Liquid Sunshine MKIII's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Malekko Electro-Harmonix Memory Toy Analog Delay after Subdecay Liquid Sunshine MKIII in the signal chain, clear of Subdecay Liquid Sunshine MKIII's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Warm Audio Jet Phaser belongs after Subdecay Liquid Sunshine MKIII, since modulation sits after the gain for a defined swirl