Pedals that stack with the Suhr SL-15

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Stack Catalinbread RAH on top and a edge of breakup tone tightens toward mid-forward

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Into the SL-15's rich, open vintage clean, the King of Tone's transparent boost pushes real dynamics.

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Stack Browne Amplification Carbon on top and a edge of breakup tone tightens toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Origin Effects MAGMA57 Amp Vibrato & Drive is voiced for Marshall-style amps — Suhr SL-15 gives it exactly that

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Universal Audio 1176 Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Canyon in Suhr SL-15's effects loop, clear of Suhr SL-15's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Memory Boy Analog Delay in Suhr SL-15's effects loop, clear of Suhr SL-15's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop