Pedals that stack with the Suhr SL68 MkII 100-Watt
← everything about the Suhr SL68 MkII 100-Watt
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
ProCo RAT 2
Proco
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The RAT's cutting distortion stacks into the SL68's fat British preamp voicing for extra grit without losing the amp's core tonal character.
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
30% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
The SL68's fat, British-voiced preamp gives the LSTR's scooped, sludgy fuzz a heavier amp voice to push into.
Goes in front of the amp
Marshall Guv'nor
Marshall
30% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Marshall Guv'nor leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
MXR Phase 90
MXR
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Phase 90 after Suhr SL68 MkII 100-Watt in the signal chain, clear of Suhr SL68 MkII 100-Watt's own gain stage
Goes in front of the amp
Lab Ratz 3D Boum Warming Unit
Lab Ratz 3d
17% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Suhr SL68 MkII 100-Watt's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Binson Echorec Delay
Binson
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Binson Echorec Delay in Suhr SL68 MkII 100-Watt's effects loop, clear of Suhr SL68 MkII 100-Watt's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Eventide Modulated Delay
Eventide
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Eventide Modulated Delay's modulated voice goes in Suhr SL68 MkII 100-Watt's effects loop — it's not there to compete with Suhr SL68 MkII 100-Watt's own high headroom character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop