Pedals that stack with the Supro 1605R 64 Reverb 5W 1x8 Combo

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Z.Vex Super Hard On takes that edge of breakup character and pushes it toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Stack J. Rockett Archer on top and a edge of breakup tone tightens toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Greer Southland pushes a edge of breakup tone toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Supro 1605R 64 Reverb 5W 1x8 Combo in the signal chain, clear of Supro 1605R 64 Reverb 5W 1x8 Combo's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Supro 1605R 64 Reverb 5W 1x8 Combo leans toward edge of breakup, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Supro 1605R 64 Reverb 5W 1x8 Combo's edge of breakup voice out front: Catalinbread Epoch-Set goes in Supro 1605R 64 Reverb 5W 1x8 Combo's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Supro 1605R 64 Reverb 5W 1x8 Combo's edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Supro 1605R 64 Reverb 5W 1x8 Combo's effects loop so its spring voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop