Supro Montauk

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Into Supro Montauk, Friedman BE-OD is right at home: it's built around a clean amp's front end

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

J. Rockett Archer pushes a edge of breakup tone toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Supro Montauk's harmonically rich voice out front: EarthQuaker Devices Night Wire V2 goes after Supro Montauk in the signal chain so its harmonically rich voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Supro Montauk brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Analog Delay in Supro Montauk's effects loop, clear of Supro Montauk's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

EarthQuaker Devices Dispatch Master V2's dynamic voice goes in Supro Montauk's effects loop — it's not there to compete with Supro Montauk's own harmonically rich character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Goes in front of the amp

J. Rockett The Dude V2 is voiced for a clean amp's front end — Supro Montauk gives it exactly that