Pedals that stack with the Swart Space Tone Atomic Jr. Two-Tone
← everything about the Swart Space Tone Atomic Jr. Two-Tone
All 16 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
43% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
The Rangemaster's germanium treble boost pushes the Space Tone's lush, boutique breakup into brighter territory.
Goes in front of the amp
Universal Audio Uafx Ruby '63 Top Boost Amplifier
Universal Audio
35% matchSwart Space Tone Atomic Jr. Two-Tone leans toward lush, and that's a real, usable character to pair with
Goes in front of the amp
JHS Angry Charlie
JHS Pedals
34% matchSwart Space Tone Atomic Jr. Two-Tone leans into Vox-style amps, precisely the platform JHS Angry Charlie wants
Goes in front of the amp
Electro-Harmonix Micro Metal Muff TOP Boost
Electro-Harmonix
34% matchThe Micro Metal Muff's high-gain, boosted distortion pushes hard against the Space Tone's lush, boutique breakup.
Goes in front of the amp
Tech 21 SansAmp Oxford
Tech 21
30% matchSwart Space Tone Atomic Jr. Two-Tone's own lush character is the real reason this is worth trying
Goes in front of the amp
Electro-Harmonix Pocket Metal Muff
Electro-Harmonix
27% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Swart Space Tone Atomic Jr. Two-Tone takes that high gain character and pushes it toward lush
Goes in front of the amp
Audiocade 1974 Colorsound Tremolo Clone
Audiocade
27% matchThe Colorsound Tremolo's organic, vintage pulse follows the Space Tone's own lush, boutique tremolo and reverb.
Goes in front of the amp
Dunlop MXR M228 Dyna Comp Stereo
Dunlop
25% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
What Dunlop MXR M228 Dyna Comp Stereo brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
Keeley Halo
Keeley
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep the Halo's ambient delay in the Swart's loop, clear of the amp's own lush spring reverb and tremolo. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Voodoo Lab Sparkle Drive Mod
Voodoo Lab
11% matchWhat Swart Space Tone Atomic Jr. Two-Tone brings here leans toward lush — that's worth building a pairing around
Goes in front of the amp
Echoplex EP-3
Echoplex
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Echoplex EP-3 in Swart Space Tone Atomic Jr. Two-Tone's effects loop, clear of Swart Space Tone Atomic Jr. Two-Tone's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley Octa Psi
Keeley
11% matchSwart Space Tone Atomic Jr. Two-Tone leans toward lush, and that's a real, usable character to pair with
Goes in front of the amp
Source Audio Soundblox Pro Classic Distortion
Source Audio
11% matchSwart Space Tone Atomic Jr. Two-Tone's own lush character is the real reason this is worth trying
Goes in front of the amp
NuX B-8 Wireless system
Nux
11% matchWhat Swart Space Tone Atomic Jr. Two-Tone brings here leans toward lush — that's worth building a pairing around
Goes in front of the amp
T-Rex Tonebug Distortion
T Rex
11% matchWhat Swart Space Tone Atomic Jr. Two-Tone brings here leans toward lush — that's worth building a pairing around
Goes in front of the amp
Mooer 408 Standard
Mooer
10% matchSwart Space Tone Atomic Jr. Two-Tone's own lush character is the real reason this is worth trying
Goes in front of the amp
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