Pedals that stack with the Swart Space Tone Atomic Jr. Two-Tone

AmpRx BrownBox

Into the Space Tone's lush, boutique reverb-tremolo voice, the BrownBox's harmonic transformer boost pushes the amp toward real breakup.

Dallas Rangemaster Treble Booster

The Rangemaster's germanium treble boost pushes the Space Tone's lush, boutique breakup into brighter territory.

Electro-Harmonix Micro Metal Muff TOP Boost

The Micro Metal Muff's high-gain, boosted distortion pushes hard against the Space Tone's lush, boutique breakup.

Sola Sound Tone Bender MK1

The Space Tone's lush, valve-driven breakup gives the Tone Bender MK1's cutting British fuzz a warmer amp voice to push into.

Tech 21 SansAmp Oxford

Swart Space Tone Atomic Jr. Two-Tone takes that high gain character and pushes it toward lush

Origin Effects RevivalDRIVE Dual Overdrive

Stack Swart Space Tone Atomic Jr. Two-Tone on top and a high gain tone tightens toward lush

Audiocade 1974 Colorsound Tremolo Clone

The Colorsound Tremolo's organic, vintage pulse follows the Space Tone's own lush, boutique tremolo and reverb.

MXR Dyna Comp

Put the Dyna Comp ahead of the Space Tone and the attack stays smooth before it ever reaches that lush valve breakup.

Benson Amps Stonk Box (Solar White)

What Swart Space Tone Atomic Jr. Two-Tone brings here leans toward lush — that's worth building a pairing around

Death By Audio Evil Filter

Swart Space Tone Atomic Jr. Two-Tone's own lush character is the real reason this is worth trying

ThorpyFX Thorpy

What Swart Space Tone Atomic Jr. Two-Tone brings here leans toward lush — that's worth building a pairing around

Mooer Baby Bomb 30

Swart Space Tone Atomic Jr. Two-Tone leans toward lush, and that's a real, usable character to pair with

Third Man Store Third Man Hardware x Gamechanger Audio Plasma Coil

Swart Space Tone Atomic Jr. Two-Tone's own lush character is the real reason this is worth trying

Electro-Harmonix XO Deluxe Memory Man

The Memory Man's lush analog echo belongs in the Space Tone's loop, clear of the amp's own boutique tremolo and reverb. — goes in the amp's FX loop (or last, into a clean amp)

Keeley Halo

Keep the Halo's ambient delay in the Swart's loop, clear of the amp's own lush spring reverb and tremolo. — goes in the amp's FX loop (or last, into a clean amp)