Pedals that stack with the Tech 21 Para Driver

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Greer Black Mountain for more fuzzy on top

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Walrus Audio Eons for more fuzzy on top

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tech 21 Para Driver's mid-forward voice out front: Walrus Audio Monument CS goes after Tech 21 Para Driver in the signal chain so its harmonically rich voice doesn't muddy it

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Run the Opto Comp's smooth compression ahead of the Para Driver for even dynamics before the mid-forward preamp EQ reacts.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama after Tech 21 Para Driver in the signal chain, clear of Tech 21 Para Driver's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Tech 21 Para Driver in the signal chain, clear of Tech 21 Para Driver's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain