Pedals that stack with the Trace Elliot TE-1200

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall Guv'nor brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Run Ashdown Geezer Butler Signature into that high headroom platform and it finally leans toward low gain

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

Run Boss ODB-3 into that high headroom platform and it finally leans toward low gain

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss BF-2 Flanger after Trace Elliot TE-1200 in the signal chain, clear of Trace Elliot TE-1200's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)

Wampler Mini Ego 76 Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Binson Echorec Delay in Trace Elliot TE-1200's effects loop, clear of Trace Elliot TE-1200's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Malekko Electro-Harmonix Memory Toy Analog Delay in Trace Elliot TE-1200's effects loop, clear of Trace Elliot TE-1200's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop