Pedals that stack with the Traynor SB115

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

The transparent tone has headroom to spare — Ashdown Geezer Butler Signature leans it toward low gain to fill it in

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Colorsound Overdriver brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Friedman BE-OD is voiced for a clean amp's front end — Traynor SB115 gives it exactly that

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Traynor SB115's full voice out front: Boss BF-2 Flanger goes after Traynor SB115 in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive leans toward smooth, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Memory Boy Analog Delay in Traynor SB115's effects loop, clear of Traynor SB115's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Malekko Electro-Harmonix Memory Toy Analog Delay in Traynor SB115's effects loop, clear of Traynor SB115's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop