Pedals that stack with the Traynor YBA-200-2

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Suhr Shiba Drive takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Ashdown Triple Shot on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Cusack Music Screamer on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Keep Traynor YBA-200-2's full voice out front: Electro-Harmonix Deluxe Electric Mistress goes after Traynor YBA-200-2 in the signal chain so its shimmer voice doesn't muddy it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Meris Mercury7 Reverb in Traynor YBA-200-2's effects loop, clear of Traynor YBA-200-2's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Free the Tone Future Factory FY-1 in Traynor YBA-200-2's effects loop, clear of Traynor YBA-200-2's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Traynor YBA-200-2 brings here leans toward full — that's worth building a pairing around

Goes in front of the amp