Pedals that stack with the Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo
← everything about the Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ibanez TS10 Tube Screamer Classic
pedal
30% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)
Feed a edge of breakup signal into Ibanez TS10 Tube Screamer Classic and it comes out closer to mid-forward
Goes in front of the amp
Beetronics Buzzter Boost Preamp
Beetronics
29% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)
Feed a edge of breakup signal into Beetronics Buzzter Boost Preamp and it comes out closer to clean boost
Goes in front of the amp
Shin's Music Dumbloid
Shins Music
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run Shin's Music Dumbloid after it and the bright edge settles into something more smooth
Goes in front of the amp
EarthQuaker Devices Grand Orbiter
EarthQuaker Devices
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run EarthQuaker Devices Grand Orbiter after Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo in the signal chain, clear of Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo's own gain stage
Goes in front of the amp
Dunlop MXR M299 Carbon Copy Mini
Dunlop
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Xotic SP Compressor
Xotic
11% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Xotic SP Compressor leans toward smooth, and that's a real, usable character to pair with
Goes in front of the amp
Eventide Modulated Delay
Eventide
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Eventide Modulated Delay in Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo's effects loop, clear of Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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