Amps that pair well with the Univox Super-Fuzz

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Univox Super-Fuzz leans it toward mid-forward to fill it in

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Univox Super-Fuzz brings a pull toward mid-forward that's missing

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Univox Super-Fuzz in front and the fuzzy tone leans further toward octave

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Univox Super-Fuzz takes that edge of breakup character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Univox Super-Fuzz takes that crunchy character and pushes it toward mid-forward

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The dynamic tone has headroom to spare — Univox Super-Fuzz leans it toward compressed to fill it in

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Univox Super-Fuzz leans it toward mid-forward to fill it in

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The transparent tone has headroom to spare — Univox Super-Fuzz leans it toward mid-forward to fill it in

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Univox Super-Fuzz brings a pull toward mid-forward that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Univox Super-Fuzz brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

Stack Univox Super-Fuzz on top and a edge of breakup tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Univox Super-Fuzz brings a pull toward mid-forward that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Univox Super-Fuzz brings a pull toward compressed that's missing

Comes later in the signal chain

Univox Super-Fuzz leans this high headroom tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Feed a edge of breakup signal into Univox Super-Fuzz and it comes out closer to mid-forward

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Univox Super-Fuzz layers octave onto an already fuzzy signal

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run Univox Super-Fuzz into that transparent platform and it finally leans toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Univox Super-Fuzz brings a pull toward mid-forward that's missing

Comes later in the signal chain