Pedals that stack with the Victory Amplifiers V100

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run Univox Super-Fuzz into that dynamic platform and it finally leans toward compressed

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Friedman BE-OD leans bright right where the warm tone needs it

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Beetronics Buzzter Boost Preamp pushes a crunchy tone toward clean boost

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dr. J D-55 Aerolite Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic SCF Gold SE Stereo after Victory Amplifiers V100 in the signal chain, clear of Victory Amplifiers V100's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Victory Amplifiers V100 leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Victory Amplifiers V100's effects loop, clear of Victory Amplifiers V100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop