Pedals that stack with the Vox AC-50
← everything about the Vox AC-50
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
ProCo RAT 2
Proco
37% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
The RAT's cutting, low-gain distortion pushes the AC-50's rich, punchy British breakup harder without losing the amp's core clarity.
Goes in front of the amp
Beetronics Swarm
Beetronics
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Into the AC-50's rich, punchy tube clarity, the Swarm's experimental fuzz has plenty of amp character to push into.
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
30% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Into the AC-50's rich, punchy tube clarity, the LSTR's scooped, sludgy fuzz has plenty of amp character to push into.
Goes in front of the amp
MXR Phase 90
MXR
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The AC-50's rich, punchy tube clarity gives the Phase 90's organic sweep real definition to work with.
Goes in front of the amp
MXR Dyna Comp
MXR
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Ahead of the AC-50's rich, punchy British breakup, the Dyna Comp evens out pick dynamics before the amp's own tube compression takes over.
Goes in front of the amp
Dunlop MXR M299 Carbon Copy Mini
Dunlop
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Carbon Copy Mini's dark, ambient slapback delay belongs in the AC-50's loop, clear of the amp's own rich, punchy tube clarity. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Eventide Modulated Delay
Eventide
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Eventide Modulated Delay in Vox AC-50's effects loop, clear of Vox AC-50's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop