Pedals that stack with the Vox AC30 Rose Morris 80s
← everything about the Vox AC30 Rose Morris 80s
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Dallas Rangemaster Treble Booster's own germanium character is the real reason this is worth trying
Goes in front of the amp
JHS Angry Charlie
JHS Pedals
26% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
JHS Angry Charlie's own crunchy character is the real reason this is worth trying
Goes in front of the amp
Vox Valvenergy Copperhead Drive
Vox
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Vox AC30 Rose Morris 80s's mid-forward character and Vox Valvenergy Copperhead Drive's mid-forward voice sit in the same lane rather than fighting each other
Goes in front of the amp
Audiocade 1974 Colorsound Tremolo Clone
Audiocade
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Audiocade 1974 Colorsound Tremolo Clone after Vox AC30 Rose Morris 80s in the signal chain, clear of Vox AC30 Rose Morris 80s's own gain stage
Goes in front of the amp
Walrus Audio Fable
Walrus Audio
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Vox AC30 Rose Morris 80s's mid-forward voice out front: Walrus Audio Fable goes in Vox AC30 Rose Morris 80s's effects loop so its smooth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Pigtronix Gloamer Volume Swell
Pigtronix
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Pigtronix Gloamer Volume Swell's own smooth character is the real reason this is worth trying
Goes in front of the amp
Suhr Discovery
Suhr
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Vox AC30 Rose Morris 80s's effects loop — it's not there to compete with Vox AC30 Rose Morris 80s's own mid-forward character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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