Pedals that stack with the Vox MV50 Brian May

← everything about the Vox MV50 Brian May

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Audiocade 1974 Colorsound Tremolo Clone

Audiocade

21% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Audiocade 1974 Colorsound Tremolo Clone's smooth voice goes after Vox MV50 Brian May in the signal chain — it's not there to compete with Vox MV50 Brian May's own bright character

Goes in front of the amp

Greer Soma

Greer

21% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Greer Soma's warm balances out the bright tone

Goes in front of the amp

JHS Angry Charlie

JHS Pedals

21% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

What JHS Angry Charlie brings here leans toward crunchy — that's worth building a pairing around

Goes in front of the amp

Greer Amps Royal Velvet

Greer

21% match

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Greer Amps Royal Velvet leans smooth right where the bright tone needs it

Goes in front of the amp

BBE OptiComp

Bbe

14% match
$109.99via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

BBE OptiComp's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Caroline Guitar Company Kilobyte

Caroline Guitar Company

12% match
$199via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Caroline Guitar Company Kilobyte's pristine voice goes in Vox MV50 Brian May's effects loop — it's not there to compete with Vox MV50 Brian May's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Line 6 DL4 Delay Modeler

pedal

12% match
$370.13via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler in Vox MV50 Brian May's effects loop, clear of Vox MV50 Brian May's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

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