Amps that pair well with the Walrus Audio Eons

Hiwatt DR103H

The Eons' thick, low-gain fuzz platform gives the Hiwatt's punchy British headroom a saturated amp voice to push into.

Hiwatt Custom DR20H

The Eons' thick, low-gain fuzz platform pushes the Hiwatt's punchy, bright headroom into saturated territory.

Marshall Silver Jubilee 25/55 100W Amp Head

Eons' selectable fuzz modes give you a menu of gain characters to stack on the Jubilee's already-classic Marshall crunch.

Laney Ironheart Foundry Leadtop 60W Head

The Leadtop's modern, hard-rock gain gives the Eons' thick, low-gain fuzz platform a heavier amp voice to push into.

Laney LA30BL 30W Tube Amplifier

The Eons' thick, low-gain fuzz platform gives the LA30BL's natural tube breakup a saturated amp voice to push into.

Marshall Plexi 1959SLP

A Plexi already wants to saturate, so set the Eons to a lower-gain mode and let the amp's own pick-attack response finish the job.

Laney LX65R

Dial the Eons into its low-gain fuzz mode and let the LX65R's drive channel finish the saturation.

Park P75H

Set the Eons to a thicker fuzz mode and the Park's own midrange crunch gives it somewhere open to sit instead of collapsing into mush.

Marshall Origin 50 Head

The Eons' thick, low-gain fuzz platform gives the Origin 50's driven midrange headroom a saturated amp voice to push into.

Fender Bassbreaker 007 7-Watt

Push the Bassbreaker's chimey, compressed breakup with the Eons' selectable, doom-voiced fuzz for a heavier, more experimental texture.

Laney Digbeth Foundry DBF100

Stack the Eons' thick, low-gain fuzz on the DBF100's punchy FET drive for layered, experimental saturation.

Orange Rockerverb 100 MkIII

The Eons' thick, low-gain fuzz stacks well into the Rockerverb's own articulate distortion, adding saturation without losing the amp's headroom-forward feel.

Laney Richter RB4 Bass Combo

Stack the Eons' thick fuzz on the RB4's full-range bass tone for layered, experimental low-end saturation.

Laney Cub Super 10

Stack the Eons' thick, low-gain fuzz on top of the Cub Super 10's own harmonic breakup for layered saturation.

Laney GH100L

Push the GH100L's tailored gain stage with the Eons' thick, low-gain fuzz for layered, experimental saturation.

Marshall JVM410H

Stack the Eons' thick low-gain fuzz ahead of the JVM410H's channels and it saturates further instead of just piling on more distortion.