Pedals that stack with the Walrus Audio Eons
← everything about the Walrus Audio Eons
All 53 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Xotic RC Booster V2
Xotic
18% matchWalrus Audio Eons leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes earlier in the signal chain
Electronic Audio Experiments Limelight Dual Overdrive
Electronic Audio Experiments
18% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Put Walrus Audio Eons in front and the mid-forward tone leans further toward fuzzy
Comes earlier in the signal chain
NOC Pedals Songs for the Decade Preamp
NOC Pedals
18% matchRun Walrus Audio Eons into that transparent platform and it finally leans toward fuzzy
Comes later in the signal chain
Electro-Harmonix Nano Soul Preacher
Electro-Harmonix
18% matchWalrus Audio Eons leans this transparent tone toward fuzzy, which it doesn't make on its own
Comes earlier in the signal chain
Chase Bliss Generation Loss MKII
Chase Bliss Audio
18% matchWhat Walrus Audio Eons brings here leans toward fuzzy — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Empress Bass ParaEQ Peda
Empress
18% matchWalrus Audio Eons stacks fuzzy on top of the mid-forward already here
Comes later in the signal chain
JHS 3 Series Glitch Delay
JHS Pedals
18% matchWalrus Audio Eons leans toward fuzzy, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
T-Rex Tapster
T Rex
18% matchWhat Walrus Audio Eons brings here leans toward fuzzy — that's worth building a pairing around
Comes later in the signal chain
Blaxx BX-Tremolo
Blaxx
18% matchWalrus Audio Eons leans toward fuzzy, and that's a real, usable character to pair with
Comes later in the signal chain
EarthQuaker Devices Tone Job V2
EarthQuaker Devices
17% matchInto a transparent tone, Walrus Audio Eons brings a pull toward fuzzy that's missing
Comes earlier in the signal chain
AZOR AP-305 Compressor
Azor
17% matchWalrus Audio Eons's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
BLAXX BX-Bass EQ
Blaxx
17% matchWalrus Audio Eons layers fuzzy onto an already mid-forward signal
Comes later in the signal chain
Sonicake MiniLane Blue Skreamer Overdrive
Sonicake
17% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Walrus Audio Eons layers fuzzy onto an already mid-forward signal
Comes earlier in the signal chain
Ibanez PT EQ
Ibanez
17% matchRun mid-forward into Walrus Audio Eons for more fuzzy on top
Comes later in the signal chain
Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
Walrus Audio
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run the Mako D1's vintage stereo delay after the Eons' thick, low-gain fuzz and the repeats trail off real saturation. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Behringer UT300
Behringer
17% matchWhat Walrus Audio Eons brings here leans toward fuzzy — that's worth building a pairing around
Comes later in the signal chain
Old Blood Noise Endeavors Mondegreen
Old Blood Noise Endeavors
17% matchWalrus Audio Eons leans toward fuzzy, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Fender Waylon Jennings Phaser
Fender
17% matchRun mid-forward into Walrus Audio Eons for more fuzzy on top
Comes later in the signal chain
Vertex Effects Trainwreck
Vertex
17% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Walrus Audio Eons stacks fuzzy on top of the mid-forward already here
Comes earlier in the signal chain
Tech 21 Para Driver
Tech 21
17% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Walrus Audio Eons for more fuzzy on top
Comes later in the signal chain
Hungry Robot The Borderland
Hungry Robot
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Walrus Audio Eons's fuzzy voice out front: Hungry Robot The Borderland goes after Walrus Audio Eons in the signal chain so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Movall Audio MP-301 Van Golem
Movall Audio
17% matchRun mid-forward into Walrus Audio Eons for more fuzzy on top
Comes later in the signal chain
Hologram Electronics Microcosm
Hologram Electronics
17% matchPut Walrus Audio Eons in front and the mid-forward tone leans further toward fuzzy — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
JHS Pedals JHS Pulp N Peel V4
JHS Pedals
17% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Put Walrus Audio Eons in front and the mid-forward tone leans further toward fuzzy
Comes later in the signal chain