Walrus Audio Iron Horse V3

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Peavey VTM-120 and it comes out closer to tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Peavey MiniMAX and it comes out closer to tight

Comes later in the signal chain

Comes later in the signal chain

EBS Magni 502 2x10 bass combo pushes a high gain tone toward tight

Comes later in the signal chain

Stack Aguilar SL110 Fawn Limited on top and a high gain tone tightens toward tight

Comes later in the signal chain

Gallien-Krueger Legacy 410 pushes a high gain tone toward tight

Comes later in the signal chain

Stack Gallien-Krueger Legacy 210 Bass Combo on top and a high gain tone tightens toward tight

Comes later in the signal chain

Feed a high gain signal into Gallien-Krueger MB210-II and it comes out closer to tight

Comes later in the signal chain

Gallien-Krueger GK Legacy 2x10 Combo Bass Amp takes that high gain character and pushes it toward tight

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run Strymon Eventide TriceraChorus after Walrus Audio Iron Horse V3 in the signal chain, clear of Walrus Audio Iron Horse V3's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Stack Fjord Fuzz Fjaer Spring Reverb on top and a high gain tone tightens toward lush

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Walrus Audio EB-10 Black Edition takes that high gain character and pushes it toward clean boost

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Hungry Robot Moby Dick V2's ambient voice goes after Walrus Audio Iron Horse V3 in the signal chain — it's not there to compete with Walrus Audio Iron Horse V3's own high gain character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run Hungry Robot The Borderland after Walrus Audio Iron Horse V3 in the signal chain, clear of Walrus Audio Iron Horse V3's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Walrus Audio Iron Horse V3 leans toward high gain, and that's a real, usable character to pair with

Comes earlier in the signal chain

Comes later in the signal chain

Hologram Electronics Microcosm pushes a high gain tone toward ambient — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Hologram Electronics Dream Sequence takes that high gain character and pushes it toward tight — goes in the amp's FX loop (or last, into a clean amp)