Pedals that stack with the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The Mako D1's high-fidelity stereo delay follows the Screamer's mid-forward boost for a wide, modern trail.

Comes earlier in the signal chain

The Mako D1's high-fidelity stereo delay follows the Klon's transparent boost for a wide, modern trail.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Bad's watery, resonant phase before the Mako D1's delay, so the repeats echo a modulated tone instead of drowning it out.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 in the signal chain, where it won't crowd Walrus Audio Mako D1 High-Fidelity Stereo Delay V1

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Berserk's aggressive stoner fuzz a wide, modern space to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep the Mako D1's stereo delay after the Odin in the chain — repeats stay clear instead of blurring into the fuzz's own thick saturation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Fjaer's delicate, boutique fuzz a wide, modern space to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Swarm's psychedelic fuzz textures a wide, modern space to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run the Mako D1's vintage stereo delay after the Tone Bender's throaty germanium fuzz and the repeats trail off real harmonic content.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Feed the Mako D1's vintage stereo delay with the Dane's natural, dynamic fuzz and the repeats trail off real saturation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's vintage stereo delay trails the Cock Fight's vocal, vowel-y wah-fuzz with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Meris Ottobit Jr. in the signal chain, where it won't crowd Meris Ottobit Jr.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run the Mako D1's vintage stereo delay after the Eons' thick, low-gain fuzz and the repeats trail off real saturation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Mako D1's platform-style stereo delay trails Black Mountain's doom fuzz at the end of the chain, adding space rather than more gain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Walrus Audio Mako D1 High-Fidelity Stereo Delay V1's pristine voice goes after Zvex Fuzz Probe in the signal chain — it's not there to compete with Zvex Fuzz Probe's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Nectar's boutique drive a wide, modern space to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's vintage stereo delay trails the Swarm SW1529's aggressive, psychedelic fuzz with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep the Mako D1 after the Rufus — the octave-flavored fuzz-distortion stays thick and the delay's vintage-modulated repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Giygas' massive, shimmering fuzz a wide, modern space to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's vintage stereo delay trails the Eldritch Blast V3's synth-voiced, sub-octave fuzz with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep the Mako D1 after the Veteran — the vintage boutique fuzz stays thick and the delay's vintage-modulated repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah in the signal chain, where it won't crowd Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's vintage stereo delay trails the Hoof Reaper's hybrid germanium-silicon fuzz with real harmonic content to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Dunlop JDF2 Fuzz Face's fuzzy voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after Dunlop JDF2 Fuzz Face in the signal chain so its pristine voice doesn't muddy it

Comes earlier in the signal chain