Pedals that stack with the Walrus Audio Monument CS

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Monument CS after Electro-Harmonix Bass Metaphors in the signal chain, clear of Electro-Harmonix Bass Metaphors's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Dawner Prince Boonar after Walrus Audio Monument CS in the signal chain, where it won't crowd Walrus Audio Monument CS — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Tumnus V2's airy voice out front: Walrus Audio Monument CS goes after Wampler Tumnus V2 in the signal chain so its harmonically rich voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Monument CS after Origin Effects M-EQ Driver in the signal chain, clear of Origin Effects M-EQ Driver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Monument CS after Boss FA-1 FET Amp in the signal chain, clear of Boss FA-1 FET Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Monument CS after Electro-Harmonix Battalion Bass Preamp/DI in the signal chain, clear of Electro-Harmonix Battalion Bass Preamp/DI's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals History Lesson Vol. 2 after Walrus Audio Monument CS in the signal chain, where it won't crowd Walrus Audio Monument CS — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Catalinbread Formula 51's warm voice out front: Walrus Audio Monument CS goes after Catalinbread Formula 51 in the signal chain so its harmonically rich voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Monument CS's harmonically rich voice goes after JHS 3 Series Glitch Delay in the signal chain — it's not there to compete with JHS 3 Series Glitch Delay's own ambient character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Monument CS after Tone City Dry Martini in the signal chain, clear of Tone City Dry Martini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender MTG LA Tube Distortion's saturated voice out front: Walrus Audio Monument CS goes after Fender MTG LA Tube Distortion in the signal chain so its harmonically rich voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Monument CS after EarthQuaker Devices Arrows V2 in the signal chain, clear of EarthQuaker Devices Arrows V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Monument CS after Xotic EP-Pro in the signal chain, clear of Xotic EP-Pro's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tech 21 Para Driver's mid-forward voice out front: Walrus Audio Monument CS goes after Tech 21 Para Driver in the signal chain so its harmonically rich voice doesn't muddy it

Comes later in the signal chain