Pedals that stack with the Walrus Audio Slö Multi-Texture Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Where this leans dark, Sola Sound Tone Bender MK1 answers back glassy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb's ambient voice out front: Wampler Latitude Deluxe Tremolo goes after Walrus Audio Slö Multi-Texture Reverb in the signal chain so its glassy voice doesn't muddy it

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Catalinbread Galileo leans bright right where the dark tone needs it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Ibanez FL-9 Flanger after Walrus Audio Slö Multi-Texture Reverb in the signal chain, where it won't crowd Walrus Audio Slö Multi-Texture Reverb

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Shigeharu's fuzzy voice out front: Walrus Audio Slö Multi-Texture Reverb goes after Caroline Guitar Company Shigeharu in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Mad Professor Big Tweedy Drive in the signal chain, clear of Mad Professor Big Tweedy Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after EarthQuaker Devices Zeqd in the signal chain, clear of EarthQuaker Devices Zeqd's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Behringer OD300 Overdrive Distortion's harmonically rich voice out front: Walrus Audio Slö Multi-Texture Reverb goes after Behringer OD300 Overdrive Distortion in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Caroline Guitar Company The Expensive Amplifier in the signal chain, clear of Caroline Guitar Company The Expensive Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp in the signal chain, clear of Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after Xotic AC Booster in the signal chain, clear of Xotic AC Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Chase Bliss Clean in the signal chain, where it won't crowd Chase Bliss Clean

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Belle Drive Mini's transparent voice out front: Walrus Audio Slö Multi-Texture Reverb goes after Wampler Belle Drive Mini in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Mooer Micro Preamp 006 US Classic Deluxe in the signal chain, clear of Mooer Micro Preamp 006 US Classic Deluxe's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Keeley White Sands Luxe Drive in the signal chain, clear of Keeley White Sands Luxe Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after TC Electronic Forcefield Compressor Effetto Compressore A in the signal chain — it's not there to compete with TC Electronic Forcefield Compressor Effetto Compressore A's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Chase Bliss Gravitas in the signal chain, where it won't crowd Chase Bliss Gravitas

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Lovepedal Amp 50 in the signal chain, clear of Lovepedal Amp 50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Digitech Dod-Lookingglass's transparent voice out front: Walrus Audio Slö Multi-Texture Reverb goes after Digitech Dod-Lookingglass in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Lovepedal ProValve 2 in the signal chain, clear of Lovepedal ProValve 2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after Wren and Cuff Phat Phuk B v2 Germanium Boost in the signal chain — it's not there to compete with Wren and Cuff Phat Phuk B v2 Germanium Boost's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after Providence ADC-3 Anadime Chorus in the signal chain — it's not there to compete with Providence ADC-3 Anadime Chorus's own analog warmth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after BBE OptiComp in the signal chain, where it won't crowd BBE OptiComp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after T-Rex Hobo Drive in the signal chain, clear of T-Rex Hobo Drive's own gain stage

Comes earlier in the signal chain