Pedals that stack with the Walrus Audio Slö Multi-Texture Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after Red Witch Seven Sisters Grace Compressor in the signal chain, where it won't crowd Red Witch Seven Sisters Grace Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Orange King Komp Compressor in the signal chain, where it won't crowd Orange King Komp Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Keeley GC-2 in the signal chain, where it won't crowd Keeley GC-2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep IK Multimedia Z-Tone Buffer Boost's clean boost voice out front: Walrus Audio Slö Multi-Texture Reverb goes after IK Multimedia Z-Tone Buffer Boost in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Tone City All Spark Boost in the signal chain, clear of Tone City All Spark Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after Providence VLC-1 Velvet Comp in the signal chain, where it won't crowd Providence VLC-1 Velvet Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after Strymon Compadre in the signal chain — it's not there to compete with Strymon Compadre's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after J. Rockett Jrad Squeegee Compressor in the signal chain, where it won't crowd J. Rockett Jrad Squeegee Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Foxgear Squeeze Optical Compressor in the signal chain, where it won't crowd Foxgear Squeeze Optical Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after Suhr Dual Boost in the signal chain — it's not there to compete with Suhr Dual Boost's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Slö Multi-Texture Reverb's ambient voice goes after Fender The Bends Compressor in the signal chain — it's not there to compete with Fender The Bends Compressor's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after Empress buffer+ Buffer/Booster in the signal chain, clear of Empress buffer+ Buffer/Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Slö Multi-Texture Reverb after J. Rockett .45 Caliber Overdrive in the signal chain, clear of J. Rockett .45 Caliber Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Wampler Decibel Plus Buffer Boost in the signal chain, clear of Wampler Decibel Plus Buffer Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Jackson Audio Silvertone in the signal chain, clear of Jackson Audio Silvertone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Matthews Effects The Gentleman Overdirve Boost in the signal chain, clear of Matthews Effects The Gentleman Overdirve Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after ThorpyFX Judge Dredd Lawbringer Gunshot in the signal chain, clear of ThorpyFX Judge Dredd Lawbringer Gunshot's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Wampler Decibel in the signal chain, clear of Wampler Decibel's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Slö Multi-Texture Reverb after Shin's Music Mighty Boost in the signal chain, clear of Shin's Music Mighty Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Foxgear Squeeze in the signal chain, where it won't crowd Foxgear Squeeze

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Slö Multi-Texture Reverb after Fishman AFX AcoustiComp Mini in the signal chain, where it won't crowd Fishman AFX AcoustiComp Mini

Comes earlier in the signal chain