Wampler Triumph Overdrive

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Revv Generator G20 20-Watt 2-Channel Tube Head stacks high gain on top of the mid-forward already here

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

PRS Archon stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Comes later in the signal chain

Run mid-forward into Mesa/Boogie JP-2C John Petrucci Signature 60/100-Watt for more high gain on top

Comes later in the signal chain

Run mid-forward into Marshall Studio JCM900 SN20H for more high gain on top

Comes later in the signal chain

Friedman BE-Mini Head stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Hughes & Kettner Warp 7 layers high gain onto an already mid-forward signal

Comes later in the signal chain

ENGL Marty Friedman Inferno E766 stacks high gain on top of the mid-forward already here

Comes later in the signal chain

Run mid-forward into Hughes & Kettner Coreblade for more high gain on top

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Wren and Cuff Box of War Small Foot Fuzz layers high gain onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

EarthQuaker Devices Dirt Transmitter layers fuzzy onto an already mid-forward signal

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR WA38 after Wampler Triumph Overdrive in the signal chain, clear of Wampler Triumph Overdrive's own gain stage

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Wampler Triumph Overdrive's own smooth character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Wampler Triumph Overdrive in the signal chain, clear of Wampler Triumph Overdrive's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Catalinbread Belle Epoch's analog warmth voice goes after Wampler Triumph Overdrive in the signal chain — it's not there to compete with Wampler Triumph Overdrive's own smooth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Dr. Scientist Frazz Dazzler V2 stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

Put Death By Audio Destruction in front and the mid-forward tone leans further toward fuzzy