Pedals that stack with the Way Huge Pork Loin

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Way Huge Pork Loin in the signal chain, clear of Way Huge Pork Loin's own gain stage

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Way Huge Pork Loin's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Way Huge Pork Loin's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange Sustain's own glassy character is the real reason this is worth trying

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Electronic Audio Experiments Surveyor V2.5's own bright character is the real reason this is worth trying

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Boss OD-1 Overdrive's own smooth character is the real reason this is worth trying

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Boss AD-2 Acoustic Preamp's transparent character and Way Huge Pork Loin's transparent voice sit in the same lane rather than fighting each other

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Way Huge Pork Loin in the signal chain, clear of Way Huge Pork Loin's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Way Huge Pork Loin leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Let the DL4's warm, vintage repeats trail the Pork Loin's nuanced British-blues overdrive for a classic finish. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain