Amps that pair well with the ZVEX Fuzz Factory
← everything about the ZVEX Fuzz Factory
All 11 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fender Vibrolux 6G11
amplifier
37% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
The Vibrolux's warm, vintage Fender breakup gives the Fuzz Factory's unpredictable germanium gating a classic amp voice to push into.
Comes later in the signal chain
Magnatone Twilighter Stereo 22W Head
Magnatone
30% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Magnatone Twilighter Stereo 22W Head stacks modulated on top of the fuzzy already here
Comes later in the signal chain
Ampeg SVT-3PRO Bass Amplifier Head
Ampeg
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's own fuzzy character is the real reason this is worth trying
Comes later in the signal chain
Traynor SB110
Traynor
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The SB110's boxy midrange EQ gives the Fuzz Factory's glitchy, gated germanium fuzz a straightforward amp voice to push into.
Comes later in the signal chain
Randall Lynch Box
Randall
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Fuzz Factory's tight, gated germanium fuzz gives the Lynch Box's thick, cutting metal rhythm voice something stranger than more distortion.
Comes later in the signal chain
Peavey MAX 100
Peavey
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The MAX 100's practice-oriented mid gain gives the Fuzz Factory's glitchy, gated germanium fuzz an honest amp voice to push into.
Comes later in the signal chain
Ampeg BA300
Ampeg
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What ZVEX Fuzz Factory brings here leans toward fuzzy — that's worth building a pairing around
Comes later in the signal chain
Aguilar Tone Hammer 210 Combo
Aguilar
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run ZVEX Fuzz Factory after it and the bright edge settles into something more smooth
Comes later in the signal chain
Ampeg PF-50T
Ampeg
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory leans smooth right where the bright tone needs it
Comes later in the signal chain
Díaz CD-100 Amp Head
Diaz
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's smooth balances out the bright tone
Comes later in the signal chain
EVH 410
Evh
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory leans smooth right where the bright tone needs it
Comes later in the signal chain