Pedals that stack with the ZVEX Instant Lo-Fi Junky
← everything about the ZVEX Instant Lo-Fi Junky
All 10 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fjord Fuzz Odin
Fjord Fuzz
27% matchThe Odin's doom-heavy stoner fuzz gives the Lo-Fi Junky's subtle, modern vibrato-chorus something much heavier to modulate.
Fjord Fuzz Berserk
Fjord Fuzz
27% matchThe Instant Lo-Fi Junky's haunting, subtle chorus-vibrato rides on top of the Berserk's extreme, doom-heavy fuzz rather than stacking gain with it.
JHS Smiley
JHS Pedals
26% matchLet the Lo-Fi Junky's haunting, subtle modulation trail the Smiley's compressed fuzz for texture without losing the bite.
Crazy Tube Circuits Hi Power
Crazy Tube Circuits
23% matchPut ZVEX Instant Lo-Fi Junky after Crazy Tube Circuits Hi Power in the signal chain, clear of Crazy Tube Circuits Hi Power's own gain stage
Fender The Pelt
Fender
22% matchPut ZVEX Instant Lo-Fi Junky after Fender The Pelt in the signal chain, clear of Fender The Pelt's own gain stage
Beetronics Octahive Shop Hot Rod
Beetronics
20% matchKeep ZVEX Instant Lo-Fi Junky after Beetronics Octahive Shop Hot Rod in the signal chain, clear of Beetronics Octahive Shop Hot Rod's own gain stage
Roland Core Distortion
Roland
18% matchKeep Roland Core Distortion's high gain voice out front: ZVEX Instant Lo-Fi Junky goes after Roland Core Distortion in the signal chain so its low gain voice doesn't muddy it
Dawner Prince Boonar
Dawner Prince
18% matchThe Instant Lo-Fi Junky's haunting, subtle chorus-vibrato trails into the Boonar's vintage studio delay with a pitch-modulated signal to echo. — goes in the amp's FX loop (or last, into a clean amp)
Keeley Angry 4-in-1 Distortion/Fuzz
Keeley
17% matchZVEX Instant Lo-Fi Junky's low gain voice goes after Keeley Angry 4-in-1 Distortion/Fuzz in the signal chain — it's not there to compete with Keeley Angry 4-in-1 Distortion/Fuzz's own fuzzy character
Mr. Black Bloodmoon
Mr Black
12% matchPut the Lo-Fi Junky's haunting chorus and vibrato ahead of the Bloodmoon so the modulation gets swallowed by the reverb's dark decay, not the other way around. — goes in the amp's FX loop (or last, into a clean amp)
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