Alexander Pedals Now We Are Ghosts Reverb vs Strymon blueSky Reverberator
The Alexander Pedals Now We Are Ghosts Reverb and the Strymon blueSky Reverberator are both pedals sharing warm, low gain. The Alexander Pedals Now We Are Ghosts Reverb leans analog warmth and ambient. The Strymon blueSky Reverberator leans modulated and pristine.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.44% — somewhat different
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Derived from overlapping tonal signals across both listings.- warm
- low gain
Strymon blueSky Reverberator
Unknown brand · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$375.98via Reverb
The Alexander Pedals Now We Are Ghosts is a stereo reverb pedal conceived as a synthesizer built from a reverb — routing reverb voices through a multimode filter, envelope generator, and LFO. Controls include Decay, Space, Dirt (saturation and instability on the reverb tail), Warble (three pitch instability levels), a multimode resonant filter with Frequency and Resonance, a Noise section with three types (Trash, Pop, Hum) for analog artifact injection, an auto-swell Sense control with swell, gate, and ducking modes, and a rate-synced LFO with tap tempo and MIDI sync. Stereo I/O, 4 onboard presets, 32 MIDI presets. 399 USD.
The Strymon blueSky Reverberator is a digital reverb offering three distinct voices: a lush, smooth plate reverb reminiscent of classic 60s and 70s studio recordings, a subtle, natural room ambience, and a spanky, retro spring reverb with real vintage character. A modulation mode adds gentle, chorus-like movement within the reverb tail, and a shimmer mode layers a pitch-shifted octave into the decay for endless, swelling, dramatic sustain on chords and leads. Its reverb trails stay pristine, clear, and three-dimensional even at long decay times and high mix settings, avoiding the muddiness cheaper digital reverbs can develop.
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Genres this gear is documented as being used in.- Ambient
- Post-Rock
- Experimental
- analog warmth
- ambient
- modulated
- pristine
- octave
- lush
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Worship
- Live
- Studio
- Worship