Alexander Pedals Now We Are Ghosts Reverb

Marshall Super Bass

Marshall Super Bass's bright balances out the warm tone

Fender Deluxe Reverb

Where this leans warm, Fender Deluxe Reverb answers back bright

Peavey Decade Too

Run the Ghosts' gated, swelling reverb in the Decade Too's loop, so the ambient decay doesn't wash out the amp's natural, cutting voice.

ENGL Ritchie Blackmore Signature v2

Keep Alexander Pedals Now We Are Ghosts Reverb in ENGL Ritchie Blackmore Signature v2's effects loop, clear of ENGL Ritchie Blackmore Signature v2's own gain stage

Polytone Mini Brute

Keep Alexander Pedals Now We Are Ghosts Reverb in Polytone Mini Brute's effects loop, clear of Polytone Mini Brute's own gain stage

Ampeg 50th Anniversary SVT Head

Keep Ampeg 50th Anniversary SVT Head's transparent voice out front: Alexander Pedals Now We Are Ghosts Reverb goes in Ampeg 50th Anniversary SVT Head's effects loop so its analog warmth voice doesn't muddy it

Engl Ritchie Blackmore Signature E650

Alexander Pedals Now We Are Ghosts Reverb's analog warmth voice goes in Engl Ritchie Blackmore Signature E650's effects loop — it's not there to compete with Engl Ritchie Blackmore Signature E650's own edge of breakup character

Fender Dual Showman (Silverface)

Alexander Pedals Now We Are Ghosts Reverb's analog warmth voice goes in Fender Dual Showman (Silverface)'s effects loop — it's not there to compete with Fender Dual Showman (Silverface)'s own tight character

JHS Angry Charlie

Run JHS Angry Charlie after it and the warm edge settles into something more bright

Wren and Cuff Box of War Small Foot Fuzz

What Wren and Cuff Box of War Small Foot Fuzz brings here leans toward sustaining — that's worth building a pairing around

Paul Cochrane Timmy

Put the Ghosts Reverb after the Timmy — the transparent drive stays articulate while the reverb's gated swells do their own ambient thing behind it.

Walrus Audio Lillian

Put Walrus Audio Lillian after Alexander Pedals Now We Are Ghosts Reverb in the signal chain, clear of Alexander Pedals Now We Are Ghosts Reverb's own gain stage

IdiotBox Effects End of Line

Keep Alexander Pedals Now We Are Ghosts Reverb's analog warmth voice out front: IdiotBox Effects End of Line goes after Alexander Pedals Now We Are Ghosts Reverb in the signal chain so its bright voice doesn't muddy it

Boss LMB-3 Bass Limiter/Enhancer

Put Alexander Pedals Now We Are Ghosts Reverb after Boss LMB-3 Bass Limiter/Enhancer in the signal chain, clear of Boss LMB-3 Bass Limiter/Enhancer's own gain stage

Blackstar Dept. 10 Boost

Boost first with the Dept. 10's tube saturation, then let Now We Are Ghosts' gated ambient swells trail behind it.

Dunlop MXR M282 Dyna Comp Bass

Run Alexander Pedals Now We Are Ghosts Reverb after Dunlop MXR M282 Dyna Comp Bass in the signal chain, clear of Dunlop MXR M282 Dyna Comp Bass's own gain stage