The Walrus Audio Lillian is a Walrus Audio phaser pedal, currently around $219.39. Close alternatives include the Orange Ninety Orange and the Spaceman Explorer. It pairs well with the Fender Prosonic and the Revv Generator 100R MkIII 3-Channel Head.
Walrus Audio Lillian
Walrus Audio · pedal
The Walrus Audio Lillian is an analog multi-stage phaser from Walrus Audio (Oklahoma City, USA), delivering either 4-stage (classic warm phaser) or 6-stage (more pronounced filtered phasing) with a Feedback knob, Rate, Depth, and a D-W blend, characterized by a bright modern voice with precise control range.
What stands out
“Its standout weakness is the bright modern character that one reviewer noted could feel too subtle”
— from the community notes
“The Walrus Audio Lillian is an analog multi-stage phaser from Walrus Audio (Oklahoma City, USA), delivering either 4-stage (classic warm phaser) or 6-stage (more pronounced filtered phasing) with a Feedback knob, Rate, Depth, and a D-W blen…”
— from the listing
“Premier Guitar calls it a distinctly modern phaser with a bright basic voice offering very precise levels of control; Sweetwater reviewers note the 4/6-stage switching and blend control that moves between subtle subliminal phasing and tripp…”
— from the community notes
“Its standout strength is the 4/6-stage switching and D-W blend for flexible subtle to deep phasing”
— from the community notes
“Strengths: Switchable 4-stage or 6-stage analog phasing with Feedback and D-W blend at Walrus Audio Oklahoma City quality, praised by Premier Guitar for precise control from subtle subliminal phase to trippier swirls and by Sweetwater revie…”
— from the reviews
- bright
- stage
- phaser
- subtle
- modern
- classic rock
- analog
- funk
Price updated Oct 23, 2026
Genres the Walrus Audio Lillian is commonly used in
- Classic Rock
- Funk
- Swing
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Walrus Audio Lillian
Fender Prosonic
amplifier
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
The Prosonic's warm, professional Fender voicing gives the Lillian's subtle analog phasing a responsive amp platform.
Comes later in the signal chain
Revv Generator 100R MkIII 3-Channel Head
Revv
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone
Comes later in the signal chain
Gibson EH-150
Gibson
26% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Lillian after Gibson EH-150 in the signal chain, clear of Gibson EH-150's own gain stage
Comes later in the signal chain
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Lillian after Marshall JTM45 45W Tube Guitar Amp Head in the signal chain, clear of Marshall JTM45 45W Tube Guitar Amp Head's own gain stage
Comes later in the signal chain
Gibson GA-50
Gibson
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Walrus Audio Lillian's bright voice goes after Gibson GA-50 in the signal chain — it's not there to compete with Gibson GA-50's own full character
Comes later in the signal chain
Aguilar Tone Hammer 500 Bass Amp 30th
Aguilar
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Aguilar Tone Hammer 500 Bass Amp 30th's warm voice out front: Walrus Audio Lillian goes after Aguilar Tone Hammer 500 Bass Amp 30th in the signal chain so its bright voice doesn't muddy it
Comes later in the signal chain
WEM Dominator MkIII
Wem
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Lillian after WEM Dominator MkIII in the signal chain, clear of WEM Dominator MkIII's own gain stage
Comes later in the signal chain
Park P45H
Park
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Lillian after Park P45H in the signal chain, clear of Park P45H's own gain stage
Comes later in the signal chain
Pedals that stack with the Walrus Audio Lillian
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
31% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Lillian's subtle analog phasing follows the Memory Man's lush echo for a gentle layer of added motion. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Caroline Guitar Company Meteore
Caroline Guitar Company
26% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Lillian's subtle analog phasing follows the Meteore's warm, spring-style reverb for layered, ambient motion. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dunlop - MXR Carbon Copy Deluxe Analog Delay
Dunlop
26% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Lillian's subtle analog phasing follows the Carbon Copy Deluxe's warm, stereo analog delay for layered motion. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Echoplex EP-3
Echoplex
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put the Lillian's subtle phasing after the Echoplex's warm tape repeats so the sweep moves the decay instead of the dry attack. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Line 6 DL4 Delay Modeler
pedal
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The DL4's warm, vintage-voiced delay trails the Lillian's subtle analog phasing into a layered echo. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR Analog Delay
MXR
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put the Lillian's subtle analog phase ahead of the Analog Delay so the sweep rides the repeats instead of chasing them. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Suhr Discovery
Suhr
24% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Lillian after Suhr Discovery in the signal chain, where it won't crowd Suhr Discovery — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Electro-Harmonix Memory Boy Analog Delay
Electro-Harmonix
24% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the Lillian's subtle, bright phase sweep after the Memory Boy's warm analog echo and the modulation colors the repeats directly. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
See all 131 pedals that pair with the Walrus Audio Lillian →
Cheaper alternatives
Ibanez PH Mini Phaser Mini
Ibanez
63% similarityShared character: phaser, analog, subtle
Maestro Orbit
Maestro
63% similarityShared character: phaser, analog, subtle
Valco Black Hole Vintage Phaser
Valco
60% similarityShared character: phaser, analog, subtle
MXR Phase 100
MXR
59% similarityShared character: phaser, subtle, stage
MXR Script Phase 90 (LED)
MXR
59% similarityShared character: phaser, stage
Maxon PT999 Phaser Tone
Maxon
58% similarityShared character: phaser, analog, classic rock
Boutique & premium upgrades
Similar charactersee all similar tone character →
Orange Ninety Orange
Mooer
59% similarityShared character: phaser, analog, classic rock
Spaceman Explorer
Spaceman
58% similarityShared character: phaser, analog, classic rock
Subdecay Quasar Phaser v4
Subdecay
57% similarityShared character: phaser, subtle, classic rock
Roland Corp US PH-3 Phase Shifter
Roland
57% similarityShared character: phaser, subtle, classic rock
Orange Series Phaser
Orange
55% similarityShared character: phaser, classic rock
Wylde Audio WA90
Wylde Audio
55% similarityShared character: phaser, subtle, stage
See all alternatives to the Walrus Audio Lillian (cheaper + boutique) →
Questions people ask
What are good alternatives to the Walrus Audio Lillian?+
The closest matches in character are the Orange Ninety Orange, the Spaceman Explorer, the Subdecay Quasar Phaser v4. Budget picks: Ibanez PH Mini Phaser Mini, Maestro Orbit, Valco Black Hole Vintage Phaser. Boutique upgrades: Carl Martin Two Faze.
What pairs well with the Walrus Audio Lillian?+
Strong matches from rig and tone-complementarity evidence: Fender Prosonic, Revv Generator 100R MkIII 3-Channel Head, Gibson EH-150 — The Prosonic's warm, professional Fender voicing gives the Lillian's subtle analog phasing a responsive amp platform..
How much does the Walrus Audio Lillian cost?+
Around $219.39 (live listing price, updated Oct 23, 2026).