Pedals that stack with the Alexander Pedals Now We Are Ghosts Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run Fjord Fuzz Midnattssol after it and the warm edge settles into something more bright

Comes earlier in the signal chain

What Wren and Cuff Box of War Small Foot Fuzz brings here leans toward fuzzy — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put the Ghosts Reverb after the Timmy — the transparent drive stays articulate while the reverb's gated swells do their own ambient thing behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Alexander Pedals Now We Are Ghosts Reverb in the signal chain, where it won't crowd Alexander Pedals Now We Are Ghosts Reverb

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Alexander Pedals Now We Are Ghosts Reverb in the signal chain, where it won't crowd Alexander Pedals Now We Are Ghosts Reverb

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Fulltone OCD in the signal chain — it's not there to compete with Fulltone OCD's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boost first with the Dept. 10's tube saturation, then let Now We Are Ghosts' gated ambient swells trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after MXR M108 10-Band Graphic EQ in the signal chain, where it won't crowd MXR M108 10-Band Graphic EQ

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Boss LMB-3 Bass Limiter/Enhancer in the signal chain, where it won't crowd Boss LMB-3 Bass Limiter/Enhancer

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Horizon Devices Precision Drive in the signal chain — it's not there to compete with Horizon Devices Precision Drive's own harsh character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after Source Audio ZIO in the signal chain, clear of Source Audio ZIO's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Crayon in the signal chain, clear of Electro-Harmonix Crayon's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mythos Mjolnir's transparent voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Mythos Mjolnir in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Nano Pulsar in the signal chain, where it won't crowd Electro-Harmonix Nano Pulsar

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Demon FX Full BB Preamp in the signal chain, clear of Demon FX Full BB Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Behringer CL9 in the signal chain — it's not there to compete with Behringer CL9's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after Zvex 59 Sound in the signal chain, clear of Zvex 59 Sound's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Roland Corp US LMB-3 in the signal chain — it's not there to compete with Roland Corp US LMB-3's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after TC Electronic SCF Gold SE Stereo in the signal chain, where it won't crowd TC Electronic SCF Gold SE Stereo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Orange King-Comp in the signal chain, where it won't crowd Orange King-Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Tone City TC-T37 Mad Stone Classic Germanium Diode in the signal chain — it's not there to compete with Tone City TC-T37 Mad Stone Classic Germanium Diode's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Keeley Red Dirt Overdrive in the signal chain, clear of Keeley Red Dirt Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb after Knight Audio Technologies Kat-STB in the signal chain, clear of Knight Audio Technologies Kat-STB's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes after Xotic RC Booster in the signal chain — it's not there to compete with Xotic RC Booster's own transparent character

Comes earlier in the signal chain