Pedals that stack with the Alexander Pedals Now We Are Ghosts Reverb
← everything about the Alexander Pedals Now We Are Ghosts Reverb
All 136 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Electro-Harmonix Signal Pad
Electro-Harmonix
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Signal Pad in the signal chain, clear of Electro-Harmonix Signal Pad's own gain stage
Comes earlier in the signal chain
Jackson Audio Golden Boy
Jackson Audio
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the Ghosts after the Golden Boy so the reverb tail stays clean instead of getting chewed up by the overdrive.
Comes earlier in the signal chain
MXR Timmy Overdrive
MXR
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after MXR Timmy Overdrive in the signal chain, clear of MXR Timmy Overdrive's own gain stage
Comes earlier in the signal chain
TC Electronic MojoMojo Overdrive
TC Electronic
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after TC Electronic MojoMojo Overdrive in the signal chain, clear of TC Electronic MojoMojo Overdrive's own gain stage
Comes earlier in the signal chain
Tone City Green Tube
Tone City
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after Tone City Green Tube in the signal chain, clear of Tone City Green Tube's own gain stage
Comes earlier in the signal chain
JHS Pedals JHS AT+
JHS Pedals
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after JHS Pedals JHS AT+ in the signal chain, clear of JHS Pedals JHS AT+'s own gain stage
Comes earlier in the signal chain
Jackson Audio hour-glass
Jackson Audio
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after Jackson Audio hour-glass in the signal chain, where it won't crowd Jackson Audio hour-glass
Comes earlier in the signal chain
Crazy Tube Circuits Limelight
Crazy Tube Circuits
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after Crazy Tube Circuits Limelight in the signal chain, clear of Crazy Tube Circuits Limelight's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Westwood
EarthQuaker Devices
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after EarthQuaker Devices Westwood in the signal chain, clear of EarthQuaker Devices Westwood's own gain stage
Comes earlier in the signal chain
Henretta Engineering Tone Xciter
Henretta Engineering
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Henretta Engineering Tone Xciter's harmonically rich voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Henretta Engineering Tone Xciter in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
Behringer BLE400
Behringer
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Alexander Pedals Now We Are Ghosts Reverb after Behringer BLE400 in the signal chain, where it won't crowd Behringer BLE400
Comes earlier in the signal chain
Jackson Audio Bloom MIDI
Jackson Audio
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after Jackson Audio Bloom MIDI in the signal chain, where it won't crowd Jackson Audio Bloom MIDI
Comes earlier in the signal chain
Wren and Cuff Two Five Drive/Boost
Wren And Cuff
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Alexander Pedals Now We Are Ghosts Reverb after Wren and Cuff Two Five Drive/Boost in the signal chain, clear of Wren and Cuff Two Five Drive/Boost's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Buffer/Preamp
EarthQuaker Devices
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep EarthQuaker Devices Buffer/Preamp's full voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after EarthQuaker Devices Buffer/Preamp in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
JHS The Overdrive Preamp
JHS Pedals
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after JHS The Overdrive Preamp in the signal chain, clear of JHS The Overdrive Preamp's own gain stage
Comes earlier in the signal chain
Suhr Dual Boost (Original Blue Enclosure)
Suhr
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after Suhr Dual Boost (Original Blue Enclosure) in the signal chain, clear of Suhr Dual Boost (Original Blue Enclosure)'s own gain stage
Comes earlier in the signal chain
Vemuram Jan Ray
Vemuram
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Alexander Pedals Now We Are Ghosts Reverb after Vemuram Jan Ray in the signal chain, clear of Vemuram Jan Ray's own gain stage
Comes earlier in the signal chain
Mad Professor 1 Overdrive
Mad Professor
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Mad Professor 1 Overdrive's tight voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Mad Professor 1 Overdrive in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
JHS Pedals JHS Tumnus
JHS Pedals
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after JHS Pedals JHS Tumnus in the signal chain, clear of JHS Pedals JHS Tumnus's own gain stage
Comes earlier in the signal chain
Dunlop MXR M293 Booster Mini
Dunlop
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after Dunlop MXR M293 Booster Mini in the signal chain, clear of Dunlop MXR M293 Booster Mini's own gain stage
Comes earlier in the signal chain
440 Distribution DigiTech Drop Polyphonic Droptune
440 Distribution
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Alexander Pedals Now We Are Ghosts Reverb after 440 Distribution DigiTech Drop Polyphonic Droptune in the signal chain, where it won't crowd 440 Distribution DigiTech Drop Polyphonic Droptune
Comes earlier in the signal chain
Bondi Effects Sick As Overdrive
Bondi Effects
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Bondi Effects Sick As Overdrive's bright voice out front: Alexander Pedals Now We Are Ghosts Reverb goes after Bondi Effects Sick As Overdrive in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
Electro-Harmonix Nano Operation Overlord
Electro-Harmonix
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Alexander Pedals Now We Are Ghosts Reverb after Electro-Harmonix Nano Operation Overlord in the signal chain, clear of Electro-Harmonix Nano Operation Overlord's own gain stage
Comes earlier in the signal chain
Empress Para EQ
Empress
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Alexander Pedals Now We Are Ghosts Reverb after Empress Para EQ in the signal chain, where it won't crowd Empress Para EQ
Comes earlier in the signal chain
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