Amps that pair well with the Alexander Pedals Now We Are Ghosts Reverb

Marshall Super Bass

Marshall Super Bass's bright balances out the warm tone

Fender Deluxe Reverb

Where this leans warm, Fender Deluxe Reverb answers back bright

Peavey Decade Too

Run the Ghosts' gated, swelling reverb in the Decade Too's loop, so the ambient decay doesn't wash out the amp's natural, cutting voice.

ENGL Ritchie Blackmore Signature v2

Keep Alexander Pedals Now We Are Ghosts Reverb in ENGL Ritchie Blackmore Signature v2's effects loop, clear of ENGL Ritchie Blackmore Signature v2's own gain stage

Polytone Mini Brute

Keep Alexander Pedals Now We Are Ghosts Reverb in Polytone Mini Brute's effects loop, clear of Polytone Mini Brute's own gain stage

Ampeg 50th Anniversary SVT Head

Keep Ampeg 50th Anniversary SVT Head's transparent voice out front: Alexander Pedals Now We Are Ghosts Reverb goes in Ampeg 50th Anniversary SVT Head's effects loop so its analog warmth voice doesn't muddy it

Engl Ritchie Blackmore Signature E650

Alexander Pedals Now We Are Ghosts Reverb's analog warmth voice goes in Engl Ritchie Blackmore Signature E650's effects loop — it's not there to compete with Engl Ritchie Blackmore Signature E650's own edge of breakup character

Fender Dual Showman (Silverface)

Alexander Pedals Now We Are Ghosts Reverb's analog warmth voice goes in Fender Dual Showman (Silverface)'s effects loop — it's not there to compete with Fender Dual Showman (Silverface)'s own tight character

Komet 4x12

Run Alexander Pedals Now We Are Ghosts Reverb in Komet 4x12's effects loop, clear of Komet 4x12's own gain stage

Crate V18-212

Run Alexander Pedals Now We Are Ghosts Reverb in Crate V18-212's effects loop, clear of Crate V18-212's own gain stage

Peavey MAX 250 250W 1x15 Bass Combo

Run Alexander Pedals Now We Are Ghosts Reverb in Peavey MAX 250 250W 1x15 Bass Combo's effects loop, clear of Peavey MAX 250 250W 1x15 Bass Combo's own gain stage

ENGL E650 Ritchie Blackmore Signature

Keep Alexander Pedals Now We Are Ghosts Reverb in ENGL E650 Ritchie Blackmore Signature's effects loop, clear of ENGL E650 Ritchie Blackmore Signature's own gain stage

Aguilar AG700 V2

Run the Ghosts Reverb in the AG700's loop for gated, swelling ambient reverb beyond the bass combo's own quiet, punchy clarity.

Victory RK50 Signature Head

Keep Alexander Pedals Now We Are Ghosts Reverb in Victory RK50 Signature Head's effects loop, clear of Victory RK50 Signature Head's own gain stage

Blackstar Unity Bass U60

Keep Blackstar Unity Bass U60's mid-forward voice out front: Alexander Pedals Now We Are Ghosts Reverb goes in Blackstar Unity Bass U60's effects loop so its analog warmth voice doesn't muddy it

Blackstar Series One 100 MkII

Put Alexander Pedals Now We Are Ghosts Reverb in Blackstar Series One 100 MkII's effects loop, clear of Blackstar Series One 100 MkII's own gain stage

Acoustic 270 Amplifier

Run the Ghosts Reverb in the Acoustic 270's loop for gated, swelling ambient reverb beyond the amp's own punchy, articulate voice.

Peavey Max 300

Put Alexander Pedals Now We Are Ghosts Reverb in Peavey Max 300's effects loop, clear of Peavey Max 300's own gain stage

Standel Super Custom XV

Keep Alexander Pedals Now We Are Ghosts Reverb in Standel Super Custom XV's effects loop, clear of Standel Super Custom XV's own gain stage

Boss Katana Bass KTN-210B

Keep Alexander Pedals Now We Are Ghosts Reverb in Boss Katana Bass KTN-210B's effects loop, clear of Boss Katana Bass KTN-210B's own gain stage

Blackstar Stage 602 MKII

Keep Blackstar Stage 602 MKII's transparent voice out front: Alexander Pedals Now We Are Ghosts Reverb goes in Blackstar Stage 602 MKII's effects loop so its analog warmth voice doesn't muddy it

Fryette Two/Ninety/Two Stereo Power Amp

Keep Alexander Pedals Now We Are Ghosts Reverb in Fryette Two/Ninety/Two Stereo Power Amp's effects loop, clear of Fryette Two/Ninety/Two Stereo Power Amp's own gain stage