Amps that pair well with the Alexander Pedals Now We Are Ghosts Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Marshall Super Bass's bright balances out the warm tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Fender Deluxe Reverb answers back bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb in Vox AC15 Custom CC TTBC Limited Edition's effects loop, clear of Vox AC15 Custom CC TTBC Limited Edition's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb in Vox AC15C2 Custom 2-Channel 15W 2x12 Combo's effects loop, clear of Vox AC15C2 Custom 2-Channel 15W 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dr. Z Maz 38's tight voice out front: Alexander Pedals Now We Are Ghosts Reverb goes in Dr. Z Maz 38's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb in Polytone Mini Brute's effects loop, clear of Polytone Mini Brute's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb in Bad Cat Hot Cat 45-Watt's effects loop, clear of Bad Cat Hot Cat 45-Watt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb in Traynor SB106's effects loop, clear of Traynor SB106's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb in Bruno Cowtipper 22's effects loop, clear of Bruno Cowtipper 22's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb in Bad Cat Jet Black's effects loop, clear of Bad Cat Jet Black's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb in ENGL Ritchie Blackmore Signature v2's effects loop, clear of ENGL Ritchie Blackmore Signature v2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb in Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard's effects loop, clear of Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes in Engl Ritchie Blackmore Signature E650's effects loop — it's not there to compete with Engl Ritchie Blackmore Signature E650's own edge of breakup character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Now We Are Ghosts Reverb in Laney Klipp's effects loop, clear of Laney Klipp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes in Brunetti Singleman H 50/15/2W Head 230's effects loop — it's not there to compete with Brunetti Singleman H 50/15/2W Head 230's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb in Crate V18-212's effects loop, clear of Crate V18-212's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Ghosts Reverb in the AG700's loop for gated, swelling ambient reverb beyond the bass combo's own quiet, punchy clarity.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Alexander Pedals Now We Are Ghosts Reverb in Laney Digbeth Foundry DBF200's effects loop, clear of Laney Digbeth Foundry DBF200's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes in Milkman 85W Pedal Steel Amplifier's effects loop — it's not there to compete with Milkman 85W Pedal Steel Amplifier's own transparent character

Comes earlier in the signal chain