The Marshall Super Bass is a Marshall amplifier. Close alternatives include the Friedman IR-D and the Strymon Iridium. It pairs well with the Xotic BB Preamp and the Catalinbread SFT.
Marshall Super Bass
Marshall · amplifier
The Marshall Super Bass (model 1992) is a 100-watt all-tube plexi-era head that, despite its name, became a celebrated guitar amp. Closely related to the Super Lead with only minor circuit differences, it offers a smoother, fuller, less aggressive voice with warm tone and prominent low-mids rather than ice-pick highs. It is prized as an exceptionally clear and full pedal platform, taking overdrives and fuzzes beautifully, and you can run high presence and treble with less squeal and feedback, which suits metal and drop-tuned guitars. Adam Jones of Tool blends a 1976 Super Bass into his live tone for warmth and body.
What stands out
“It allows cranking presence and treble , helping it work for drop-tuned and metal tones”
— from the community notes
“It takes boosts and fuzzes superbly, stays clear when cranked, and tolerates high presence and treble settings which suits metal and drop tunings”
— from the reviews
“Players use it for classic rock, heavy rock and metal, and especially as a pristine, powerful pedal platform that takes overdrive and fuzz gracefully”
— from the community notes
“Adam Jones uses one to add body and warmth to his blended live tone”
— from the reviews
“Closely related to the Super Lead with only minor circuit differences, it offers a smoother, fuller,”
— from the listing
Trade-offs
“A warm, full vintage plexi head that trades the Super Lead's biting top end for smoother highs and rich low-mids, making it both a characterful overdriven amp and an outstanding pedal platform”
— from the reviews
- treble
- presence
- fuzz
- pedal platform
- warmth
- lead
- bass
- overdrive
Good for
- Live
Genres the Marshall Super Bass is commonly used in
- Classic Rock
- Rock
- Metal
- Blues
cited
Inferred from shared tonal signals, not a stated genre tag. - Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag.
Pedals that stack with the Marshall Super Bass
Xotic BB Preamp
Xotic
44% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Xotic BB Preamp's smooth balances out the bright tone
Goes in front of the amp
Catalinbread SFT
Catalinbread
39% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Super Bass' pedal-platform headroom gives the SFT's thick, compressed British drive a clean amp voice to push into.
Goes in front of the amp
ProCo RAT 2
Proco
38% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Super Bass leans into a clean amp's front end, precisely the platform ProCo RAT 2 wants
Goes in front of the amp
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
36% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Run Marshall Super Bass after it and the dark edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Wampler Latitude Deluxe Tremolo
Wampler
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
MXR Flanger
MXR
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Super Bass is voiced as a pedal platform, and the Flanger's subtle analog sweep rides on top of that warmth instead of getting buried.
Goes in front of the amp
Boss OC-5
Boss
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Caroline Guitar Company Kilobyte
Caroline Guitar Company
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's own pedal-platform headroom, the Kilobyte's warm digital delay stays clear instead of smearing. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Alternatives
Friedman IR-D
Friedman
72% similarityFriedman IR-D recreates this amp's tone in pedal form
Strymon Iridium
Strymon
72% similarityStrymon Iridium recreates this amp's tone in pedal form
Soldano SLO
Soldano
72% similaritySoldano SLO recreates this amp's tone in pedal form
Friedman IR-J Jake E. Lee Preamp
Friedman
72% similarityFriedman IR-J Jake E. Lee Preamp recreates this amp's tone in pedal form
Ampeg 50th Anniversary SVT Head
Ampeg
58% similarityShared character: two channels, high end, volume
Park P50B Super Bass
Park
57% similarityShared character: volume, bass, classic rock
Hiwatt Park P50B Super Bass Handwired 50W Bass Head
Hiwatt
55% similarity“The Super Bass name evokes the original 1960s-1970s Park and Marshall Super Bass circuits that were popular for bass amplification.”
Sunn 100s
amplifier
53% similarityShared character: two channels, hard rock, rich
Ampeg SVT-3PRO Bass Amplifier Head
Ampeg
51% similarityShared character: sweet, presence, warm
EBS Classic 450
Ebs
49% similarityShared character: treble, warm, clarity
SWR California Blonde
Swr
49% similarityShared character: two channels, bass, high end
Laney Nathan East Signature 1000-Watt Bass Head
Laney
46% similarityShared character: warm, clarity, bass
See all alternatives to the Marshall Super Bass (cheaper + boutique) →
Questions people ask
What are good alternatives to the Marshall Super Bass?+
The closest matches in character are the Friedman IR-D, the Strymon Iridium, the Soldano SLO.
What pairs well with the Marshall Super Bass?+
Strong matches from rig and tone-complementarity evidence: Xotic BB Preamp, Catalinbread SFT, ProCo RAT 2 — Xotic BB Preamp's smooth balances out the bright tone.