Pedals that stack with the Marshall Super Bass

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Super Bass' pedal-platform gain.

Catalinbread SFT

The Super Bass' pedal-platform headroom gives the SFT's thick, compressed British drive a clean amp voice to push into.

Greer Mizuki blue

Into the Super Bass's pedal-friendly front end, the Mizuki Blue's warm, transparent drive adds grit without stepping on the amp's own overdrive.

MXR Analog Delay

Slapback from the Analog Delay stays clear through the Super Bass's clear, present voicing instead of getting lost in mud. — goes in the amp's FX loop (or last, into a clean amp)

BBE OptiComp

Run the OptiComp ahead of the Super Bass's pedal-friendly front end and pick dynamics even out without dulling the natural pickup tone.

EarthQuaker Devices Hoof

The Hoof's germanium-silicon hybrid drive stacks well on the Super Bass's pedal-friendly front end without losing its own low end.

Ashdown Studio Compressor

The Super Bass' pedal-platform headroom gives the Studio Compressor's low-noise squash a clean amp voice to push into.

Caroline Guitar Company Kilobyte

Into the Super Bass's own pedal-platform headroom, the Kilobyte's warm digital delay stays clear instead of smearing. — goes in the amp's FX loop (or last, into a clean amp)

Mad Professor Simble Overdrive MK2

The Super Bass's pedal-platform headroom gives the Simble's warm, singing breakup room to open up fully.

Boss BC-1X

The Super Bass' pedal-platform headroom gives the BC-1X's live compression somewhere clean to push into.

Systech Harmonic Energizer

Where this leans warm, Marshall Super Bass answers back bright

Walrus Audio Julia

Into the Super Bass's pedal-friendly front end, the Julia's lush, organic vibrato adds motion without dulling the amp's clear, present voice.

Maxon OD808

Into Maxon OD808, Marshall Super Bass is right at home: it's built around Marshall-style amps

Ashdown Pro-FX Pro Drive

Marshall Super Bass is voiced for Marshall-style amps — Ashdown Pro-FX Pro Drive gives it exactly that

Strymon TimeLine

TimeLine's studio-grade digital delays get real headroom from the Super Bass's own pedal-platform design, so the repeats stay clean at volume. — goes in the amp's FX loop (or last, into a clean amp)

Boss DD-3 Digital Delay

One documented rig runs the DD-3 into a Super Bass — the amp's own pedal-platform headroom keeps the delay's repeats from smearing. — also used together by 1 artist — goes in the amp's FX loop (or last, into a clean amp)

Malekko Electro-Harmonix Memory Toy Analog Delay

The Super Bass's pedal-platform headroom keeps the Memory Toy's warm analog echoes clean and undistorted. — goes in the amp's FX loop (or last, into a clean amp)

MXR Flanger

The Super Bass is voiced as a pedal platform, and the Flanger's subtle analog sweep rides on top of that warmth instead of getting buried.

Tone City Blues Man

Marshall Super Bass leans bright right where the warm tone needs it

Electro-Harmonix Nano Memory Toy

Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)

EarthQuaker Devices Blumes V1 Low Signal Shredder

Marshall Super Bass's bright balances out the warm tone

Mission Engineering Momentum Bass Overdrive

Marshall Super Bass's bright balances out the warm tone

One Control Stone Bramble Overdrive

Where this leans warm, Marshall Super Bass answers back bright

Eventide Rose Modulated Digital Delay

Marshall Super Bass leans toward bright, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)