Pedals that stack with the Marshall Super Bass
← everything about the Marshall Super Bass
All 155 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
MXR EVH117 Flanger
MXR
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
Maxon AD-9 Pro Analog Delay
Maxon
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
EarthQuaker Devices Blumes
EarthQuaker Devices
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Beetronics Overhive Custom Cross Path
Beetronics
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Dunlop Echoplex All-Analog Dry Path Delay
Dunlop
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop EP103 Echoplex Delay
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Providence ADC-4 Anadime Analog Chorus
Providence
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Behringer Chorus Symphony
Behringer
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Strymon Brig echo Compact
Strymon
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Tru-Fi The Aqua Echo 600 Analog
Tru Fi
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Mojo Hand FX Nebula Redux
Mojo Hand Fx
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
T-Rex Junior Roomate
T Rex
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Singletone Malibu
Singletone
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Caroline Guitar Company Somersault Lo-Fi Modulator
Caroline Guitar Company
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Red Witch Titan
Red Witch
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Chandler DDL Delay
Chandler
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop Way Huge WHE702 Echo Puss Analog
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop Way Huge WHE701 Aqua Puss
Dunlop
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Universal Audio Starlight Echo Station
Universal Audio
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Walrus Audio Monument CS
Walrus Audio
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Anarchy Audio Flutterby Tremolo
Anarchy Audio
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Browne Amplification Sshac Sky Snake Hawk Attack Chorus
Browne Amplification
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Spaceman Mercury IV Germanium Harmonic Boost
Spaceman
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
Strymon Brigadier dBucket Delay
pedal
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop