Pedals that stack with the Marshall Super Bass
← everything about the Marshall Super Bass
All 155 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Fender Bubbler Chorus
Fender
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Citadel Planetary Phase
Citadel
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Strymon Ola dBucket Chorus
Strymon
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Old Blood Noise Endeavors Black Fountain
Old Blood Noise Endeavors
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss CE-2 Chorus
Boss
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans toward bright, and that's a real, usable character to pair with
Goes in front of the amp
Behringer BM-18M Cluster Box
Behringer
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
Catalinbread SFT Ampeg Inspired Overdrive
Catalinbread
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Alexander Pedals Now We Are Ghosts Reverb
Alexander Pedals
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dr. Green The tourniquet
Dr Green
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Browne Amplification Sshac
Browne Amplification
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Mad Professor MP-Aod
Mad Professor
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Catalinbread SFT: Sapphire
Catalinbread
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
EarthQuaker Devices Space Spiral
EarthQuaker Devices
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Catalinbread Katzenkonig 70
Catalinbread
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
EarthQuaker Devices Time Shadows V2
EarthQuaker Devices
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Roland CE-5 Chorus Ensemble
Roland
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Crazy Tube Circuits Golden Ratio V2
Crazy Tube Circuits
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Walrus Audio WAL-385/MK2 #BK
Walrus Audio
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Maxon AD10 Analog Delay
Maxon
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Donner White Tape
Donner
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Analog Man Bi-Chorus
Analog Man
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's treble-forward pedal platform, the Bi-Chorus's warm, subtle stereo modulation stays defined instead of getting buried in gain.
Goes in front of the amp
Dunlop Blue Hippo Optical Tremolo
Dunlop
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Red Panda Bitmap 2
Red Panda
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
J. Rockett Immortal Echo
J Rockett
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop