Walrus Audio Melee Wall of Noise Black

Marshall Plexi 1959SLP

Stack the Melee's massive, noisy reverb on the 1959SLP's own aggressive saturation for a genuinely overwhelming wash.

Dumble Overdrive Special Amp Head

Into the Dumble's responsive, transformer-driven blues breakup, the Melee's massive, ambient noise-rock reverb has a genuinely legendary — if unusual — amp voice to decay into.

Boss CE-1 Chorus Ensemble

Put the Melee after the CE-1 for massive, noisy ambient reverb swells trailing the chorus's own lush modulation.

Fjord Fuzz Odin

Run the Melee's ambient reverb after the Odin's fuzz — the wash needs a settled, already-saturated signal to swell around, not a raw one.

ThorpyFX The Dane

Send the Dane's harmonically rich overdrive into the Melee's massive ambient reverb for a wall-of-noise finish, not the other way around.

Fjord Fuzz Fjaer Spring Reverb

The Melee's ambient, noise-rock reverb gives the Fjaer's delicate, boutique fuzz a wash of atmosphere to decay into.

Fulltone OF-2 Octafuzz

Keep the Melee after the Octafuzz — the ringing octave fuzz stays sharp and the Melee's own massive, distorted reverb wall trails into pure noise behind it.

Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah

Walrus Audio Melee Wall of Noise Black's ambient voice goes after Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah in the signal chain — it's not there to compete with Cry Baby Dunlop Akira Takasaki Cry Baby Fuzz Wah's own fuzzy character

Greer Royal Velvet

Melee's massive ambient reverb closes out the Royal Velvet's smooth overdrive with noise-rock-scale wash.

Klon Centaur

Run the Klon ahead of the Melee and its midrange boost feeds the noisy reverb wash a thicker, more saturated tone to work with.