Alexander Pedals Radical Delay vs Meris Polymoon
The Alexander Pedals Radical Delay and the Meris Polymoon are both pedals sharing ambient, dynamic, modulated. The Alexander Pedals Radical Delay leans pristine. Current prices: $188.96 vs $299.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Genres both listings are associated with.- Post-Rock
- Shoegaze
- Ambient
- Experimental
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Derived from overlapping tonal signals across both listings.- ambient
- dynamic
- modulated
- aggressive
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$188.96via Reverb
$299via Reverb
The Alexander Pedals Radical Delay is a six-mode digital delay blending 1980s clean digital tone with modern modulation and glitch processing. Modes include MOD (modulated delay with chorus or vibrato on repeats), BEND (pitch-spiraling echoes), DUAL (dual-tap delay lines), REV (reverse delay), ARP (chiptune arpeggiator delay), and DYNA (dynamics-reactive delay). Maximum delay time ranges from 680ms to over 5000ms controlled by the CLOCK knob, which also shifts bandwidth from 16kHz down to 1kHz for lo-fi textures. Four onboard presets expand to 16 via MIDI. Neo Morph enables real-time seamless transitions between stored parameter positions.
The Meris Polymoon is a super-modulated delay pedal built around a 1200ms real-time selectable multi-tap delay line paired with 6 custom-tuned LFOs offering adjustable waveforms, capable of anything from subtle wobble to aggressive, synth-like pitch-shifting effects on the repeats. It adds an adjustable Tilt EQ filter in the delay feedback path, a tempo-syncable stereo Barberpole Phaser, a multimode stereo Dynamic Flanger with feedback, a unique feedback topology, a Dimension control for smearing reflections, and selectable quarter or dotted-eighth tap tempo, all running through a premium 24-bit/32-bit floating point signal path with stereo I/O.
- pristine
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Live
- Silent Stage
- Studio
- Worship