Meris Polymoon

PRS Archon

The Polymoon's modulated, synth-like delays belong in the Archon's loop, so the pitch-shifting textures don't get chewed up by the amp's own high gain.

Revv Generator G20 20-Watt 2-Channel Tube Head

Run the Polymoon in the G20's loop so its dense modulation and delay layers stay clear of the amp's own gain channels.

Phil Jones Bass Compact Plus BG-450

Run the Polymoon in the Compact Plus's loop for complex, modulated delay beyond the bass combo's own clarity and articulation.

Soldano SLO-30 Super Lead Overdrive

Keep the Polymoon in the SLO-30's loop for complex, modulated delay beyond the amp's own buffered, clean-club fundamental voice.

Soldano SLO 100R

Run the Polymoon in the SLO 100R's loop for complex, modulated delay beyond the amp's own touring-grade lead voice.

Phil Jones Bass Compact 8 Cabinet

Run the Polymoon in the Compact 8's loop for complex, modulated delay beyond the cabinet's own clear, high-fidelity bass voice.

Laney Richter RB2 Bass Combo

Route the Polymoon through the RB2's loop and its stacked modulation and delay stay clear of the amp's own onboard compression.

Fender Rumble 25 Ivory

Keep the Polymoon's dynamic, stereo phaser-flanger-delay stack in the Rumble 25's loop, clear of the amp's own reliable, rehearsal-ready clean tone.

Fjord Fuzz Odin

The Polymoon's phaser/flanger/delay modulation adds movement feeding the Odin's heavy doom fuzz stage.

Wren and Cuff Box of War OG

Stack the Box of War OG's Big Muff-style fuzz ahead of the Polymoon so its multi-mode modulation and delay have thick sustain to work through.

MXR Phase 90

Stack the Phase 90 ahead of the Polymoon and its classic sweep becomes one more layer in the Polymoon's own complex modulation stack.

Fuzzrocious Cosmic Bull Shark

Cosmic Bull Shark's heavy, doom-leaning fuzz gives the Polymoon's modulated phaser and delay textures something thick and saturated to work on, not the light chorus its label suggests.

JHS Colour Box V2

Let the Polymoon's stacked delay and modulation trail the Colour Box's preamp gain instead of sitting ahead of it.

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Keep the Polymoon after the Rotosphere's own Leslie swirl — its own modulated delay adds motion without doubling up on the rotary effect.

Ashdown Velvet Compressor

Layer the Polymoon's modulated delay behind the Velvet Compressor's controlled bass signal for movement without losing the evened-out attack.

JAM Pedals Tubedreamer

Feed the Polymoon's stereo phaser-flanger-delay stack with the Tubedreamer's compressed, TS-voiced drive and there's plenty of dynamic signal for it to work through.