Pedals that stack with the Meris Polymoon

Cusack Music Tap-A-Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes earlier in the signal chain

The Polymoon's phaser/flanger/delay modulation adds movement feeding the Odin's heavy doom fuzz stage.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Klon Centaur in the signal chain, clear of Klon Centaur's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Meris Polymoon in the signal chain, where it won't crowd Meris Polymoon

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Bad after Meris Polymoon in the signal chain, where it won't crowd Meris Polymoon

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Beetronics Overhive in the signal chain, clear of Beetronics Overhive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Let the Polymoon's stacked delay and modulation trail the Colour Box's preamp gain instead of sitting ahead of it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Caroline Guitar Company Shigeharu in the signal chain, clear of Caroline Guitar Company Shigeharu's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Xotic RC Booster's transparent voice out front: Meris Polymoon goes after Xotic RC Booster in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Cordovox TR-8 in the signal chain, where it won't crowd Cordovox TR-8

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BD-2 Blues Driver's full voice out front: Meris Polymoon goes after Boss BD-2 Blues Driver in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Polymoon's dynamic phaser/flanger/delay modulation gives the Buzzter's transparent boost somewhere to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Chase Bliss Automatone Preamp MKII in the signal chain — it's not there to compete with Chase Bliss Automatone Preamp MKII's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Hummingbird V2's spring voice out front: Meris Polymoon goes after EarthQuaker Devices Hummingbird V2 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Crazy Tube Circuits Hi Power in the signal chain, clear of Crazy Tube Circuits Hi Power's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Ashdown Studio Compressor in the signal chain, where it won't crowd Ashdown Studio Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Pigtronix OFM's fuzzy voice out front: Meris Polymoon goes after Pigtronix OFM in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Ashdown Macchiato Compressor Guy Pratt Signature in the signal chain — it's not there to compete with Ashdown Macchiato Compressor Guy Pratt Signature's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Zvex Vexter Series Fuzz Factory in the signal chain — it's not there to compete with Zvex Vexter Series Fuzz Factory's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the DELUXE61 — the vintage tube tremolo-and-drive stays intact and the delay's own modulated repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Catalinbread Karma Suture in the signal chain, clear of Catalinbread Karma Suture's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Benson Amps Stonk BOX in the signal chain, clear of Benson Amps Stonk BOX's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Death By Audio Moonbeam in the signal chain, where it won't crowd Death By Audio Moonbeam

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Pete Cornish LD-1 in the signal chain, clear of Pete Cornish LD-1's own gain stage

Comes earlier in the signal chain