Pedals that stack with the Meris Polymoon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Super AT Mod Overdrive Limited Edition's compressed voice out front: Meris Polymoon goes after Keeley Super AT Mod Overdrive Limited Edition in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Walrus Audio Luminary in the signal chain, where it won't crowd Walrus Audio Luminary

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Greer Southland in the signal chain, clear of Greer Southland's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the LPB-1 — the natural, transparent boost stays clean and the delay's own modulated, complex repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the SUB N UP — the tracked sub-octave stays clear and the delay's own modulated, dynamic repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Catalinbread Dirty Little Secret Mk2's harmonically rich voice out front: Meris Polymoon goes after Catalinbread Dirty Little Secret Mk2 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon's stacked modulation and delay after the Eternity so the effects track an already-driven signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after TC Electronic Corona Chorus in the signal chain, where it won't crowd TC Electronic Corona Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Empress Bass Compressor Blue in the signal chain, where it won't crowd Empress Bass Compressor Blue

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Vertex Steel String Slight Return in the signal chain, clear of Vertex Steel String Slight Return's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Custom Audio Electronics Super Tremolo in the signal chain, where it won't crowd Custom Audio Electronics Super Tremolo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after J. Rockett Majestic in the signal chain, clear of J. Rockett Majestic's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the RevivalDrive Compact — the dynamic, tube-like clean-platform drive stays intact and the delay's own modulated repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after EarthQuaker Devices Black Eye Boost in the signal chain, clear of EarthQuaker Devices Black Eye Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The SSB's transparent clean boost leaves plenty of headroom for the Polymoon's own modulated delay to add movement.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Klon KTR in the signal chain, clear of Klon KTR's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the Granith Grey — the transparent clean boost stays natural and the delay's own modulated, dynamic repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after IVY Gain Machine TPD-1 Standard in the signal chain, clear of IVY Gain Machine TPD-1 Standard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon after the Route 66 — the compressed, American-voiced drive stays intact and the delay's own modulated repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Feed the Polymoon's stereo phaser-flanger-delay stack with the Louder's transparent clean boost and there's plenty of clean signal for it to color.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon's stacked modulation and delay after the Sunday Driver so the effects track an already-driven signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Ultraphonix's natural, refined overdrive gives the Polymoon's modulated delay a clean, uncolored signal to work with.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Chase Bliss Brothers AM in the signal chain, clear of Chase Bliss Brothers AM's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Gunshot's transparent, clean boost leaves plenty of room for the Polymoon's own modulated delay to add motion.

Comes earlier in the signal chain