Pedals that stack with the Meris Polymoon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Audiocade Royal British Velvet AC30 Overdrive/Preamp Clone in the signal chain, clear of Audiocade Royal British Velvet AC30 Overdrive/Preamp Clone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Keeley Dyno My Roto in the signal chain, where it won't crowd Keeley Dyno My Roto

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Meris Enzo in the signal chain — it's not there to compete with Meris Enzo's own ambient character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after CostaLab Buffer in the signal chain, where it won't crowd CostaLab Buffer

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after MXR M102 Dyna Comp in the signal chain, where it won't crowd MXR M102 Dyna Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Steel String's transparent, touring-grade drive stays out of the way while the Polymoon's own modulated delay does the coloring.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Tech 21 Boost DLA in the signal chain, clear of Tech 21 Boost DLA's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Wampler Mini Ego Compressor in the signal chain, where it won't crowd Wampler Mini Ego Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Keeley D&M Drive in the signal chain, clear of Keeley D&M Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Origin Effects Cali76 MK2 Bass Compressor's compressed voice out front: Meris Polymoon goes after Origin Effects Cali76 MK2 Bass Compressor in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after MXR Double Down in the signal chain, clear of MXR Double Down's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after JHS Kodiak in the signal chain, where it won't crowd JHS Kodiak

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Rodenberg SL-OD in the signal chain — it's not there to compete with Rodenberg SL-OD's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Origin Effects Cali76 V2 FET Compressor in the signal chain, where it won't crowd Origin Effects Cali76 V2 FET Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after MXR M294 Sugar Drive Mini in the signal chain — it's not there to compete with MXR M294 Sugar Drive Mini's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after MXR M294 Sugar Drive Mini in the signal chain — it's not there to compete with MXR M294 Sugar Drive Mini's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Blaxx BX-Bass Limit in the signal chain — it's not there to compete with Blaxx BX-Bass Limit's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Radial HotShot ABo in the signal chain, where it won't crowd Radial HotShot ABo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon after Maxon CP-9Pro+ in the signal chain, where it won't crowd Maxon CP-9Pro+

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Cts Crazy Tube Circuits Memphis in the signal chain, where it won't crowd Cts Crazy Tube Circuits Memphis

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon after Ibanez TS808HW Hand-Wired Tube Screamer in the signal chain, clear of Ibanez TS808HW Hand-Wired Tube Screamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes after Wampler Tumnus Deluxe in the signal chain — it's not there to compete with Wampler Tumnus Deluxe's own edge of breakup character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Mesa Boogie Grid Slammer Overdrive in the signal chain, clear of Mesa Boogie Grid Slammer Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon after Orange Two Stroke in the signal chain, where it won't crowd Orange Two Stroke

Comes earlier in the signal chain