Amps that pair well with the Meris Polymoon

Run the Polymoon in the G20's loop so its dense modulation and delay layers stay clear of the amp's own gain channels.

Comes earlier in the signal chain

Marshall JVM410H leans toward pristine, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's transparent voice out front: Meris Polymoon goes in Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Polymoon in the SLO-30's loop for complex, modulated delay beyond the amp's own buffered, clean-club fundamental voice.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Bad Cat Cub's effects loop — it's not there to compete with Bad Cat Cub's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Milkman Sound Creamer 20W Combo's effects loop — it's not there to compete with Milkman Sound Creamer 20W Combo's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon in the Compact Plus's loop for complex, modulated delay beyond the bass combo's own clarity and articulation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Supro 1614RT Amulet 15W 1x12 Combo's effects loop, clear of Supro 1614RT Amulet 15W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Milkman Sound Half Pint 5W 1x12 Combo's effects loop, clear of Milkman Sound Half Pint 5W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Hiwatt DR20/0.5 Head's effects loop, clear of Hiwatt DR20/0.5 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Hiwatt Custom 50 SA212's effects loop, clear of Hiwatt Custom 50 SA212's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Magnatone Starlite 1x8 Combo's effects loop — it's not there to compete with Magnatone Starlite 1x8 Combo's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Hiwatt DR103 Custom Head's effects loop, clear of Hiwatt DR103 Custom Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Two-Rock Classic Reverb 100W Head's effects loop, clear of Two-Rock Classic Reverb 100W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Two-Rock Bloomfield Drive 6L6 100W Head's effects loop, clear of Two-Rock Bloomfield Drive 6L6 100W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Roland JC-120H Jazz Chorus's effects loop — it's not there to compete with Roland JC-120H Jazz Chorus's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon in the AM Standard's loop for complex, modulated delay beyond the amp's own natural, stereo practice voicing.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon in the Compact 8's loop for complex, modulated delay beyond the cabinet's own clear, high-fidelity bass voice.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Two-Rock Silver Sterling Signature 150W Head's effects loop, clear of Two-Rock Silver Sterling Signature 150W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Port City Pearl Head's effects loop, clear of Port City Pearl Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in PRS Dallas 50W Tube Guitar Amp Head's effects loop, clear of PRS Dallas 50W Tube Guitar Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Soldano SLO 30 Signed Black/Purple's effects loop — it's not there to compete with Soldano SLO 30 Signed Black/Purple's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Polymoon in the Fusion 500's loop for complex, modulated delay beyond the amp's own hybrid tube-preamp warmth.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Hiwatt Bulldog 30 Combo's effects loop, clear of Hiwatt Bulldog 30 Combo's own gain stage

Comes earlier in the signal chain