Amps that pair well with the Meris Polymoon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Fender '65 Twin Reverb's effects loop — it's not there to compete with Fender '65 Twin Reverb's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Ceriatone JTM45/100's effects loop, clear of Ceriatone JTM45/100's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Standel Super Custom XV's effects loop, clear of Standel Super Custom XV's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Music Man 212-HD 130 Vintage (1970s)'s effects loop, clear of Music Man 212-HD 130 Vintage (1970s)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Fender '65 Deluxe Reverb Reissue's effects loop — it's not there to compete with Fender '65 Deluxe Reverb Reissue's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Two-Rock TRCR100HD 100W Classic Reverb Tube Guitar Amp Head's effects loop, clear of Two-Rock TRCR100HD 100W Classic Reverb Tube Guitar Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Custom Studio/Stage 20/40W Head's transparent voice out front: Meris Polymoon goes in Hiwatt Custom Studio/Stage 20/40W Head's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt High Tube 100 Head's transparent voice out front: Meris Polymoon goes in Hiwatt High Tube 100 Head's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Two-Rock Burnside 6L6 28W 1x12 Combo's effects loop, clear of Two-Rock Burnside 6L6 28W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in 1958 Fender Twin 5F8-4's effects loop, clear of 1958 Fender Twin 5F8-4's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Acus One Forstrings 4 Ferdi's high headroom voice out front: Meris Polymoon goes in Acus One Forstrings 4 Ferdi's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Hiwatt T20/10's effects loop — it's not there to compete with Hiwatt T20/10's own spring character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Hiwatt DR88 88W Head's effects loop — it's not there to compete with Hiwatt DR88 88W Head's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Carr Sportsman's effects loop, clear of Carr Sportsman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Hiwatt Leeds AC60 Acoustic Combo's effects loop, clear of Hiwatt Leeds AC60 Acoustic Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Victory RK50 Signature Head's effects loop, clear of Victory RK50 Signature Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Crush Acoustic 30's airy voice out front: Meris Polymoon goes in Orange Crush Acoustic 30's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Fender '59 Bassman LTD's effects loop, clear of Fender '59 Bassman LTD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Fender Quad Reverb's effects loop, clear of Fender Quad Reverb's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Meris Polymoon in Lab Series L5's effects loop, clear of Lab Series L5's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Meris Polymoon's modulated voice goes in Mesa/Boogie Lone Star 2x12 Combo Amp's effects loop — it's not there to compete with Mesa/Boogie Lone Star 2x12 Combo Amp's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Marshall JMP Major 200W's effects loop, clear of Marshall JMP Major 200W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Meris Polymoon in Magnatone Super Fifty-Nine M-80 Head's effects loop, clear of Magnatone Super Fifty-Nine M-80 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Meris Polymoon in Fender Blues Junior IV Red Snakeskin Texas's effects loop, clear of Fender Blues Junior IV Red Snakeskin Texas's own gain stage

Comes earlier in the signal chain