The Strymon TimeLine is a Strymon delay pedal. Close alternatives include the Boss DD-8 Digital Delay and the Electro-Harmonix Canyon. It pairs well with the Marshall Super Bass and the Peavey MAX 100.
Strymon TimeLine
Strymon · pedal
The Strymon Timeline is a flagship, comprehensive digital delay workstation offering twelve unique delay machines, from warm analog and tape echo emulations to crisp studio-quality digital, slapback, lo-fi, reverse, and creative effects. Its sound quality is widely considered exceptional, going from saturated, fluctuating tape and warm fuzzy analog repeats to shimmery, sparkling crystalline ice delays, all with just the right balance of clarity and warmth, and even at extreme settings the dry tone and note definition shine through. It includes deep parameter control, presets, looping, and full stereo, making it perhaps the most capable delay on the market. Favored by experimental, ambient, rock, and post-rock players for its reverse and lo-fi soundscapes, it covers everything from precise rhythmic delays to evolving ambient textures, though its depth and price come with a learning curve and an interface some find complex.
- delay
- digital delay
- digital
- studio
- warmth
- clarity
- analog
- stereo
Good for
- Live
- Silent Stage
- Studio
- Worship
Genres the Strymon TimeLine is commonly used in
- Post-Rock
- Rock
- Experimental
- Ambient
- Lo Fi
cited
Inferred from shared tonal signals, not a stated genre tag. - Rockabilly
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Strymon TimeLine
Marshall Super Bass
Marshall
30% matchTimeLine's studio-grade digital delays get real headroom from the Super Bass's own pedal-platform design, so the repeats stay clean at volume.
Peavey MAX 100
Peavey
29% matchThe MAX 100's simple, rehearsal-voiced clean channel gives the TimeLine's complex digital delays a quiet platform to build on without extra coloring.
Vox AC15CH Custom 15W Head
Vox
14% matchRun the TimeLine's complex, high-fidelity delays in the AC15's loop, so the amp's own sweet breakup doesn't get diluted by digital repeats.
Vox MV50 AC SET
Vox
12% matchRun the TimeLine in the MV50 AC's loop for warm, studio-grade digital delay beyond the amp's own chiming British character.
Vox Ac30 1960s
Vox
9% matchStrymon TimeLine's pristine voice goes in Vox Ac30 1960s's effects loop — it's not there to compete with Vox Ac30 1960s's own edge of breakup character
Vox AC30HWRH Hand-Wired 2-Channel 30W Head
Vox
8% matchKeep Strymon TimeLine in Vox AC30HWRH Hand-Wired 2-Channel 30W Head's effects loop, clear of Vox AC30HWRH Hand-Wired 2-Channel 30W Head's own gain stage
Vox AC30 Rose Morris 80s
amplifier
8% matchStrymon TimeLine's pristine voice goes in Vox AC30 Rose Morris 80s's effects loop — it's not there to compete with Vox AC30 Rose Morris 80s's own mid-forward character
Carr Skylark Special
Carr
7% matchPut Strymon TimeLine in Carr Skylark Special's effects loop, clear of Carr Skylark Special's own gain stage
Pedals that stack with the Strymon TimeLine
Ibanez Tube Screamer
Ibanez
37% matchTimeLine's clear, studio-grade delay isn't stacking gain with the Tube Screamer — it's adding digital repeats after the pedal's own boost.
Klon Centaur
Klon
32% matchBoost with the Klon before the TimeLine so its digital repeats carry a warmer, more saturated tone.
Walrus Audio Lillian
Walrus Audio
24% matchLayer the Lillian's modern, bright phase sweep after the TimeLine's own warm, studio-grade digital delay for texture on the repeats.
MXR WA38
MXR
22% matchPut the WA38's chorus and filter modulation ahead of the TimeLine's delay so the wobble gets echoed cleanly rather than blurred into the repeats.
Tru-Fi Tru-Fi Sammy Fuzz
Tru Fi
14% matchPut Strymon TimeLine after Tru-Fi Tru-Fi Sammy Fuzz in the signal chain, clear of Tru-Fi Tru-Fi Sammy Fuzz's own gain stage
Mr. Black Thunderclaw Distortion
Mr Black
13% matchKeep Mr. Black Thunderclaw Distortion's bright voice out front: Strymon TimeLine goes after Mr. Black Thunderclaw Distortion in the signal chain so its pristine voice doesn't muddy it
NuX Lacerate
Nux
13% matchKeep NuX Lacerate's bright voice out front: Strymon TimeLine goes after NuX Lacerate in the signal chain so its pristine voice doesn't muddy it
Catalinbread RAH
Catalinbread
11% matchPut the TimeLine's clear digital repeats after the RAH's balanced, Marshall-voiced drive so the delay trails a signal that's already got presence.
Alternativessee all similar tone character →
Boss DD-8 Digital Delay
Boss
73% similarityShared character: looper, players, stereo
Electro-Harmonix Canyon
Electro-Harmonix
72% similarityShared character: sound_quality, looper, delay
Matthews Effects The Surgeon Delay V2
Matthews Effects
71% similarityShared character: deep_control, digital, delay
Boss SDE-3000D
Boss
71% similarityShared character: players, delay, stereo
Strymon Brig echo Compact
Strymon
71% similarityShared character: sound_quality, stereo, digital
Boss DD-500 Digital Delay
Boss
71% similarityShared character: sound_quality, looper, digital
MXR M169 Carbon Copy Analog Delay
MXR
71% similarityShared character: market, digital, delay
Line 6 DL4 MkII
Line 6
71% similarityShared character: sound_quality, looper, digital
Boss DD-7 Digital Delay
Boss
70% similarityShared character: lot, digital_delay_pedals, looper
Strymon Olivera Vintage Oil Can Echo
Strymon
70% similarityShared character: machines, delay, stereo
Source Audio SA263 Collider
Source Audio
70% similarityShared character: sound_quality, stereo, digital
Line 6 DL4 Delay Modeler
pedal
70% similarityShared character: looper, stereo, full
See all alternatives to the Strymon TimeLine (cheaper + boutique) →
Questions people ask
What are good alternatives to the Strymon TimeLine?+
The closest matches in character are the Boss DD-8 Digital Delay, the Electro-Harmonix Canyon, the Matthews Effects The Surgeon Delay V2.
What pairs well with the Strymon TimeLine?+
Strong matches from rig and tone-complementarity evidence: Marshall Super Bass, Peavey MAX 100, Vox AC15CH Custom 15W Head — TimeLine's studio-grade digital delays get real headroom from the Super Bass's own pedal-platform design, so the repeats stay clean at volume..
Compare
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- vs Boss DD-2 Digital Delay